Born: Roscommon, Ireland, 17 May 1911. Education: Attended Roehampton School, London. Family: Married 1) the director John Farrow, 1936 (died 1963), seven children: Michael, Patrick, the actress Mia Farrow, John, Prudence, Tisa, Stephanie; 2) James E. Cushing, 1983. Career: 1929—film debut in Song o' My Heart ; contract with Fox, followed by short contracts with other studios; 1932–42—contract with MGM; first of six Tarzan films, Tarzan, the Ape Man ; 1942–48—off the screen; 1963—on stage in Roomful of
Films as Actress:
Song o' My Heart (Borzage) (as Eileen O'Brien); So This Is London (Blystone) (as Elinor Worthing); Just Imagine (David Butler) (as LN-18); The Princess and the Plumber (Korda) (as Princess Louise)
A Connecticut Yankee (David Butler) (as Alisande); Skyline (Taylor) (as Kathleen Kearny); The Silver Lining ( Thirty Days ) (Crosland) (as Joyce Moore); The Big Shot ( The Optimist ) (Murphy) (as Doris)
Tarzan, the Ape Man (Van Dyke) (as Jane Parker); Fast Companions ( The Information Kid ) (Neumann) (as Sally); Skyscraper Souls (Selwyn) (as Lynn Harding); Strange Interlude (Leonard) (as Madeline); Okay America ( Penalty of Fame ) (Garnett) (as Miss Barton); Payment Deferred (Mendes) (as Winnie Marble)
Robber's Roost (Louis King) (as Helen); The Cohens and the Kellys in Trouble (Stevens) (as Mollie Kelly); Tugboat Annie (LeRoy) (as Pat Severn); Stage Mother (Brabin) (as Shirley Lorraine)
Tarzan and His Mate (Gibbons and Conway) (as Jane Parker); The Thin Man (Van Dyke) (as Dorothy Wynant); Hide-Out (Van Dyke) (as Pauline); The Barretts of Wimpole Street (Franklin) (as Henrietta)
David Copperfield (Cukor) (as Dora); West Point of the Air (Rosson) (as Skip Carter); Cardinal Richelieu (Rowland V. Lee) (as Lenore); The Flame Within (Goulding) (as Lillian Belton); Anna Karenina (Brown) (as Kitty); Woman Wanted (Seitz) (as Ann); The Bishop Misbehaves (Dupont) (as Hester Grantham)
The Voice of Bugle Ann (Thorpe) (as Camden Terry); Tarzan Escapes (Thorpe) (as Jane Parker); The Devil Doll (Browning) (as Lorraine Lavond)
A Day at the Races (Wood) (as Judy); The Emperor's Candlesticks (Fitzmaurice) (as Maria); Between Two Women ( Surrounded by Women ) (Seitz) (as Claira Donahue); My Dear Miss Aldrich (Seitz) (as Martha Aldrich)
A Yank at Oxford (Conway) (as Molly Beaumont); Hold That Kiss (Marin) (as June Evans); Port of Seven Seas (Whale) (as Madelon); The Crowd Roars (Thorpe) (as Sheila Carson); Spring Madness (Simon) (as Alexandra Benson)
Let Us Live (Brahm) (as Mary Roberts); Tarzan Finds a Son (Thorpe) (as Jane)
Sporting Blood ( Sterling Metal ) (Simon) (as Linda Lockwood); Pride and Prejudice (Leonard) (as Jane Bennet)
Maisie Was a Lady (Marin) (as Abigail Rawlston); Tarzan's Secret Treasure (Thorpe) (as Jane)
Tarzan's New York Adventure (Thorpe) (as Jane)
The Big Clock (Farrow) (as Georgette Stroud)
Where Danger Lives (Farrow) (as Julie)
Bonzo Goes to College (de Cordova) (as Marion Drew); No Resting Place (Rotha) (as Nan Kyle)
All I Desire (Sirk) (as Sara Harper); Mission over Korea (Sears) (as Nancy Slocum)
Duffy of San Quentin ( Men behind Bars ) (Doniger) (as Gladys Duffy); The Steel Cage (Doniger) (as Gladys Duffy)
The Tall T (Boetticher) (as Doretta Mims)
Wild Heritage (Haas) (as Emma Breslin)
Never Too Late (Yorkin) (as Edith Lambert)
The Phynx (Katzin) (as herself)
The Crooked Hearts (Sandrich—for TV)
The Great Houdinis (Shavelson—for TV) (as Lady Doyle)
Too Scared to Scream (Lo Bianco) (as Mother)
Hannah and Her Sisters (Woody Allen) (as Norma, Hannah's mother); Peggy Sue Got Married (Francis Ford Coppola) (as Elizabeth Alvorg)
Stranded (Fuller) (as Grace Clark)
Good Old Boy (for TV) (as Aunt Sue)
The Habitation of Dragons (Lindsay-Hogg—for TV) (as Miss Helen Taylor); With Murder in Mind ( With Savage Intent ) (Tuchner—for TV) (as Aunt Mildred)
Hart to Hart: Home Is Where the Hart Is (Peter R. Hunt—for TV) (as Eleanor Biddlecomb)
Tarzan: The Legacy of Edgar Rice Burroughs (as interviewee)
By O'SULLIVAN: article—
"Maureen O'Sullivan," interview with Kingsley Canham, in Focus on Film (London), Summer 1974.
On O'SULLIVAN: book—
Billips, Connie J., Maureen O'Sullivan: A Bio-Bibliography , New York, 1990.
On O'SULLIVAN: articles—
Bodeen, DeWitt, "Maureen O'Sullivan," in Films in Review (New York), January 1984.
Hutchings, David, "Maureen O'Sullivan Finds Her Star Reborn Playing Mother to Her Daughter in Hannah and Her Sisters ," in People Weekly (New York), 14 April 1986.
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Maureen O'Sullivan's place in film history unfortunately has been relegated to that of an animal-skin-clad girl making a home for the king of the jungle. Although not her first film, Tarzan, the Ape Man was her first important role and her recitation of the words "Tarzan" and "Jane" (not "You Tarzan, me Jane" as so often misquoted) made her instantly famous to audiences worldwide. She appeared in several other Tarzan films with Johnny Weissmuller, but her contract at MGM also placed her in a large number of roles, usually playing the star's sister, best friend, or other secondary leads. She had a lovely speaking voice and a delicate beauty which suggested "well-bred young English lady" roles, such as the flighty Dora in David Copperfield , Henrietta in The Barretts of Wimpole Street , and the oldest sister, Jane, in Pride and Prejudice .
In the 1940s, when O'Sullivan was still in her prime and very active in films, she semiretired from acting to be a mother to her large family and a wife to the writer-director John Farrow, with whom she worked in the 1948 thriller The Big Clock . The marriage lasted until Farrow's death in 1963 and produced, among its seven children, the actress Mia Farrow. During the 1950s O'Sullivan made a few films and did some television work, but she did not have any important roles until after John Farrow's death when she went to Broadway and starred in the successful comedy Never Too Late . After the long run of the play, it was turned into a film in which O'Sullivan again played opposite her Broadway co-star, Paul Ford. In the film, a gentle comedy, Ford and O'Sullivan, the middle-aged parents of a married daughter, discover that they are going to have another baby. Although she was well into her fifties, O'Sullivan was still very attractive and displayed a fine sensibility for light comedy, something which she seldom, if ever, was able to do as an ingenue.
In the 1980s, O'Sullivan's screen career was briefly jump-started in Woody Allen's Hannah and Her Sisters , cast as the mother of the character played by daughter Mia. Later on, she became a vocal supporter of her daughter (and denouncer of Allen) in the wake of the notorious Soon-Yi affair.
—Patricia King Hanson, updated by Rob Edelman