Joanna Pacula Biography (1957-)

Original name, Ioana Pacula; born January 2 (some sources cite December 30),1957, in Tomaszow Lubelski, Poland; father, an engineer; mother, a pharmacist. Addresses: Agent: P.O. Box 5617, Beverly Hills, CA 90210.; Contact:c/o Chuck Binder, 1564 Lindacrest Dr., Beverly Hills, CA 90210.

Nationality
Polish
Gender
Female
Occupation
Actress
Birth Details
January 2, 1957
Tomaszow Lubelski, Poland

Famous Works

  • CREDITS
  • Film Appearances
  • Barwy ochronne (also known as Camouflage), 1977
  • Nie zaznasz spokoju, 1978
  • (As Ioana Pacula) Lena, Ultima noapte de dragoste (also known as The Last Night of Love), 1979
  • Irina Asanova, Gorky Park, Orion, 1983
  • Gila, Not Quite Paradise (also known as Not Quite Jerusalem), Rank, 1985
  • Elli, Death before Dishonor, New World Pictures, 1987
  • Felice, The Kiss, TriStar, 1988
  • Joelle, Sweet Lies, Island, 1988
  • Princess Nicole, Options, Vestron, 1989
  • Leslie, Marked for Death (also known as Screwface), Twentieth Century-Fox, 1990
  • Tracy, Body Puzzle (also known as Misteria), 1991
  • The Good Policeman, 1991
  • Alina, La villa del venerdi (also known as Husbands and Lovers and In Excess), Columbia/TriStar Home Video, 1992
  • Kate Fisher, Tombstone, Buena Vista, 1993
  • Lauren, Every Breath, Columbia/TriStar Home Video, 1993
  • Paula Dare, Warlock: The Armageddon (also known as Warlock II), Vidmark Entertainment, 1993
  • Emilia, C'e Kim Novak al telefono (also known as Kim Novak Is on the Phone), Academy Entertainment, 1994
  • Lily Wine, Il silenzio dei prosciutti (also known as The Silence of the Hams), October Films, 1994
  • Sophie Morgan, Private Lessons II, Tohokushinsha Film, 1994
  • Tracy Grant, Body Puzzle, Triboro Entertainment Group, 1994
  • Brenda Franelli, Captain Nuke and the Bomber Boys (also known as Demolition Day), New Horizons Home Video, 1995
  • Evelyn Parker, Timemaster, Universal Home Video, 1995
  • Nora Weeks, Last Gasp, Warner Bros., 1995
  • First Mate Bergren, The Haunted Sea (also known as Ghost Ship), Concorde, 1997
  • Marta, En brazos de la mujer madura (also known as In Praise ofOlder Women), LolaFilms, 1997
  • Selma, Heaven before I Die, PM Entertainment, 1997
  • Lillianna Rotaro, My Giant, Columbia/Sony Pictures Entertainment,1998
  • Liz Harpur, Error in Judgment, 1998
  • Elizabeth, The Art of Murder, Avalanche Home Entertainment, 1999
  • Lissette, Crash and Byrnes, Regent Entertainment, 1999
  • Nadia Vinogradiya, Virus, Universal, 1999
  • Sonia, The Hit, 2001
  • No Place Like Home, Desert Rock Films, 2001
  • Elizabeth, Warrior Angels, Beyond Films, 2002
  • Iris, Cupid's Prey, Mainline Releasing/Regent Entertainment, 2002
  • Television Appearances
  • Series
  • Diana Randall, E.A.R.T.H. Force (also known as Earth Force,The Elite, and The Green Machine), CBS, 1990
  • Gogi, Brutally Normal, The WB, 2000
  • Movies
  • Luka, Escape from Sobibor, CBS, 1987
  • Anna/Diana, Breaking Point, TNT, 1989
  • Diana Carlyle, Eyes of the Beholder, USA Network, 1992
  • Dr. Lena Poole, Condition: Critical (also known as Critical Condition and Final Pulse), NBC, 1992
  • Vanessa, Black Ice (also known as A Passion for Murder), USA Network, 1992
  • Abbey Jane Strong, Under Investigation, 1993
  • Monica Quik, Deep Red, Sci-Fi Channel, 1994
  • Anita, "Not Like Us," Roger Corman Presents, Showtime, 1995
  • Anna, Business for Pleasure, The Movie Channel, 1997
  • Julia Konneman, The White Raven, HBO, 1998
  • Risa Gallagher, Sweet Deception (also known as Sweet Lies),Fox, 1998
  • Specials
  • The Making of "Gorky Park," 1983
  • Voice of Ursula von Kardorff, Normandy: The Great Crusade, The Discovery Channel, 1994
  • Episodic
  • Yvonne Ballinger, "Four of a Kind," Dead Man's Gun, Showtime, 1999
  • Other
  • Marissa Freilich, Crossings (miniseries), ABC, 1986
  • Paula, The Colony (pilot; also known as Malibu Beach), ABC,1996
  • Stage Appearances
  • Appeared as Juliet, Romeo and Juliet, and in As You Like Itand Othello, all Polish Repertory Company, Warsaw, Poland.

Further Reference

OTHER SOURCES

    Periodicals
    • Femme Fatales, October, 1998, pp. 24-27