Michael Blakemore Biography (1928-)

Full name, Michael Howell Blakemore; born June 18, 1928, in Sydney, Australia; son of Conrad Howell (an eye surgeon) and Una Mary (maiden name, Litchfield) Blakemore; married Shirley Mary Bush, 1960 (divorced, 1986); married TanyaMcCallin (a set designer), 1986; children: (first marriage) Conrad; (second marriage) Beatrice, Clementine. Addresses: Office: 11-A St. Martin's Almshouses, Bayham St., London N.W. 1, England.; Agent: Lantz Office, 888 Seventh Ave., Suite 2500, New York, NY 10106.

Nationality
Australian
Gender
Male
Occupation
Director, actor, writer
Birth Details
June 18, 1928
Sydney, Australia

Famous Works

  • CREDITS
  • Stage Work
  • Director
  • The Investigation, Citizens' Theatre, Glasgow, Scotland, 1966
  • Little Malcolm, Citizens' Theatre, 1966
  • Stephen D., Citizens' Theatre, 1966
  • Nightmare Abbey, Citizens' Theatre, 1966
  • The Visions of Simone Machard, Citizens' Theatre, 1967
  • A Choice of Wars, Citizens' Theatre, 1967
  • Rosmersholm, Citizens' Theatre, 1967
  • A Day in the Death of Joe Egg, Citizens' Theatre, 1967 then ComedyTheatre, London, England, 1967 produced as Joe Egg, Brooks Atkinson Theatre, New York City, 1968
  • The Strange Case of Martin Richter, Hampstead Theatre Club, London, 1968
  • The Resistible Rise of Arturo Ui, Edinburgh Festival, Edinburgh, Scotland, then Saville Theatre, London, both 1969
  • The National Health, Old Vic Theatre, London, 1969
  • Widowers' Houses, Royal Court Theatre, London, 1970
  • Long Day's Journey into Night, National Theatre, London, 1971
  • (With John Dexter) Tyger, National Theatre, 1971
  • Forget-Me-Not Lane, London production, c. 1971
  • The Front Page, National Theatre, 1972
  • Macbeth, National Theatre, 1972
  • The Cherry Orchard, National Theatre, 1973
  • Design for Living, Phoenix Theatre, London, 1973
  • Knuckle, Comedy Theatre, 1974
  • Grand Manoeuvres, National Theatre, 1974
  • Don's Party, Royal Court Theatre, 1975
  • Engaged, National Theatre, 1975
  • Plunder, National Theatre, 1976
  • The Madras House, National Theatre, 1976
  • Privates on Parade, Royal Shakespeare Company, Aldwych Theatre, London, 1977
  • The White Devil, Guthrie Theatre, Minneapolis, MN, 1977
  • Separate Tables, London production, 1977
  • Candida, London production, 1977
  • Hayfever, produced in Denmark, 1977
  • Deathtrap, Garrick Theatre, London, then Players Theatre, New YorkCity, later Theatre Royal, Sydney, Australia, all 1978
  • The Wild Duck, Lyric Hammersmith Theatre, London, 1980
  • Make and Break, Lyric Hammersmith Theatre, 1980
  • Travelling North, 1980
  • All My Sons, London production, 1981
  • Noises Off, Savoy Theatre, London, 1982 then Brooks Atkinson Theatre, 1983-1985 later Ahmanson Theatre, Los Angeles, 1985
  • Benefactors, Vaudeville Theatre, London, 1984 then Brooks AtkinsonTheatre, 1985-1986
  • Made in Bangkok, London production, 1986
  • Lettice and Lovage, Globe Theatre, London, 1987
  • The Day Room, Manhattan Theatre Club, New York City, 1987
  • City of Angels, Virginia Theatre, New York City, 1989-1992 then Prince of Wales Theatre, London, 1993
  • Lettice and Lovage, Ethel Barrymore Theatre, New York City, 1990
  • The Ride down Mount Morgan, 1991
  • Money and Friends, Center Theatre Group, Doolittle Theatre, Hollywood, CA, 1993
  • Uncle Vanya, London production, 1995
  • Death Defying Acts, Variety Arts Theatre, New York City, 1995
  • Tosca (opera), Houston Grand Opera, Houston, TX, 1997
  • The Life, Ethel Barrymore Theatre, 1997-1998
  • Alarms and Excursions, London production, 1998
  • Kiss Me, Kate, Martin Beck Theatre, New York City, 1999-?
  • Copenhagen, Royal National Theatre, London, 1998 then Royale Theatre, New York City, 2000-2001
  • Also directed The Sisters Rosensweig, Old Vic Theatre, London.
  • Major Tours
  • Director
  • Noises Off, U.S. cities, 1985
  • Tosca (opera), Welsh National Opera, 1993
  • Mr. Peter's Connections, British cities, 2000
  • Stage Appearances
  • (Stage debut) Doctor, The Barretts of Wimpole Street, Theatre Royale, Huddersfield, England, 1951
  • Jack Poyntz, School, Prince's Theatre, London, 1958
  • Senator, Coriolanus, Memorial Theatre Company, Shakespeare Memorial Theatre, Stratford-on-Avon, England, 1959
  • Sir Toby Belch, Twelfth Night, Open Air Theatre, London, 1962
  • Holofernes, Love's Labour's Lost, Open Air Theatre, 1962
  • Dogberry, Much Ado about Nothing, Open Air Theatre, 1963
  • Theseus, A Midsummer Night's Dream, Open Air Theatre, 1963
  • Badger, Toad of Toad Hall, Comedy Theatre, 1963
  • George, Who's Afraid of Virginia Woolf?, Citizens' Theatre, 1966-1967
  • Maitland, Inadmissible Evidence, Citizens' Theatre, 1966-1967
  • Copenhagen, Duchess Theatre, London, 1999-2001
  • Major Tours
  • Appearances
  • Captain, Titus Andronicus, Eastern European cities, 1959
  • Palmer Anderson, A Severed Head, Australian cities, 1965
  • Film Director
  • A Personal History of the Australian Surf (documentary), Adams-Parker Films, 1981
  • Privates on Parade, Orion Classics, 1982
  • Country Life, Miramax, 1994
  • Film Appearances
  • Officer, Catch Us If You Can (also known as Having a Wild Weekend), Warner Bros., 1965
  • Narrator and father, A Personal History of the Australian Surf (documentary), Adams-Parker Films, 1981
  • Alexander Voysey, Country Life, Miramax, 1994
  • Television Director
  • Specials
  • Long Day's Journey into Night (adaptation of play by Eugene O'Neill), ABC, 1973
  • "The Old Reliable," Tales from the Hollywood Hills (also known asGreat Performances), PBS, 1988
  • Television Appearances
  • Public relations officer, Countdown at Woomera, 1961
  • Prime Minister John Curtin, The Last Bastion (miniseries), 1984
  • WRITINGS
  • Screenplays
  • A Personal History of the Australian Surf (documentary), Adams-Parker Films, 1981
  • Country Life, Miramax, 1994
  • Television Specials
  • (With Peter Wood) Long Day's Journey into Night (adaptation of play by Eugene O'Neill), ABC, 1973
  • Other Writings
  • Next Season (novel), Simon & Schuster (New York City), 1968
  • Contributor to periodicals, including New Yorker.

Further Reference

OTHER SOURCES

    Periodicals
    • InTheater, December 6, 1999

    User Contributions:

    Comment about this article, ask questions, or add new information about this topic:

    CAPTCHA


    forum