Carrie Fishbein Robbins Biography (1943-)
Original name, Carrie Mae Fishbein; born February 7, 1943, in Baltimore, MD;daughter of Sidney W. and Betty A. (maiden name, Berman) Fishbein; married Richard D. Robbins (a doctor), 1969. Addresses: Office: Carrie Robbins Designage, Inc., 11 West 30th St., 15th Floor, New York, NY 10001.
- Nationality
- American
- Gender
- Female
- Occupation
- Costume designer, scenic designer
- Birth Details
- February 7, 1943
- Baltimore, Maryland, United States
Famous Works
- CREDITS
- Stage Work
- Costume Designer
- Leda Had a Little Swan, Cort Theatre, New York City, 1968
- Inner Journey, Forum Theatre, New York City, 1969
- The Year Boston Won the Pennant, Forum Theatre, 1969
- The Time of Your Life, Vivian Beaumont Theatre, Lincoln Center, New York City, 1969
- The Good Woman of Setzuan, Vivian Beaumont Theatre, Lincoln Center, 1970
- Look to the Lilies, Lunt-Fontanne Theatre, New York City, 1970
- An Enemy of the People, Vivian Beaumont Theatre, Lincoln Center, 1971
- Narrow Road to the Deep North, Vivian Beaumont Theatre, Lincoln Center, 1972
- The Crucible, Vivian Beaumont Theatre, Lincoln Center, 1972
- Grease, Eden Theatre, then Broadhurst Theatre, both New York City,1972, later Royale Theatre, New York City, 1972-1980 and Majestic Theatre, New York City, 1980
- The Hostage, Theatre at Good Shepherd-Faith Church, New York City,1972
- Sunset, Chelsea Theatre Center, New York City, 1972
- The Beggar's Opera, Chelsea Theatre Center, 1972
- The Secret Affairs of Mildred Wild, Ambassador Theatre, New York City, 1972
- Let Me Hear You Smile, Biltmore Theatre, New York City, 1973
- The Plough and the Stars, Vivian Beaumont Theatre, Lincoln Center,1973
- Molly, Alvin Theatre, New York City, 1973
- The Iceman Cometh, Circle in the Square, New York City, 1973-1974
- The Beggar's Opera, Billy Rose Theatre, New York City, 1973-1974
- Merry Wives of Windsor, New York Shakespeare Festival, 1974
- Over Here!, Shubert Theatre, New York City, 1974-1975
- Yentl, the Yeshiva Boy, Chelsea Theatre Center, 1974, then EugeneO'Neill Theatre, New York City, 1974-1975
- Polly, Chelsea Theatre Center, 1975
- Truckload, Lyceum Theatre, New York City, 1975
- The Boss, Chelsea Theatre Center, 1976
- Rebel Women, New York Shakespeare Festival, 1976
- The Misanthrope, New York Shakespeare Festival, 1977
- The Creditors, Public Theatre, New York City, 1977
- The Stronger, Public Theatre, 1977
- Happy End, Martin Beck Theatre, New York City, 1977
- (And set designer) Old Man Joseph and His Family, Chelsea WestsideTheatre, New York City, 1978
- Fearless Frank, Princess Theatre, New York City, 1980
- Samson et Dalila (opera), San Francisco Opera, San Francisco, CA,1980
- The Stitch in Time, American National Theatre and Academy, New York City, 1980-1981
- Macbeth, Vivian Beaumont Theatre, Lincoln Center, 1981
- (And puppet designer) Frankenstein, Palace Theatre, New York City,1981
- El Bravo, Entermedia Theatre, New York City, 1981
- The First, Martin Beck Theatre, 1981
- It Had to Be You, John Golden Theatre, New York City, 1981
- Agnes of God, Music Box Theatre, New York City, 1982-1983
- (And designer of special effects) The Boys of Winter, Biltmore Theatre, New York City, 1985
- The Octette Bridge Club, Music Box Theatre, 1985
- Twelfth Night, Alaska Repertory Theatre, Anchorage, AL, 1986
- Raggedy Ann, Nederlander Theatre, New York City, 1986, then Forty-First Street Theatre, New York City, 1986-1987
- Sugar Hill, c. 1989
- The Mass (opera), Opera Company of Boston, Boston, MA, 1989
- A Fierce Attachment, Jewish Repertory Theatre, New York City, 1991
- Anna Karenina, Circle in the Square, 1992
- Golden Boy, 1992
- The Madwoman of Chaillot, Williamstown Theatre Festival, Williamstown, MA, 1994
- The Shadow Box, Circle in the Square, 1994-1995
- Cyrano de Bergerac, Laura Pels Theatre, New York City, 1997-1998
- Rags, Paper Mill Playhouse, Milburn, NJ, 1999
- Samson and Delilah (opera), San Francisco Opera, 1999
- The Exact Center of the Universe, Theatre Four, New York City, 1999, then Century Theatre for the Performing Arts, New York City, 1999-2000
- Two-Headed, Theatre Four, 2000
- High Infidelity, Promenade Theatre, New York City, 2000
- Tallulah Hallelujah!, Douglas Fairbanks Theatre, New York City, 2000
- Toys in the Attic, Berkshire Theatre Festival, 2000
- A Class Act, Manhattan Theatre Club Stage II, New York City, 2000-2001, then Ambassador Theatre, 2001, later Pasadena Playhouse, Pasadena, CA,2002
- Samson and Delilah (opera), Houston Grand Opera, Houston, TX, 2002
- Costume designer for Bench in the Sun, Westport Country Playhouse;Big Potato; Flea in Her Ear, Los Angeles production; Hamlet, Guthrie Theatre, Minneapolis, MN; The Little Foxes, American Conservatory Theatre, San Francisco, CA; Ruslan and Ludmilla; The Secret Affairs of Mildred Wilde; Suite in Two Keys; Sweet Bird of Youth, Ahmanson Theatre, Los Angeles, and Scottsdale, AZ, then Los Angeles; Taverner; The Tempest, Mark Taper Forum, Los Angeles; Tennessee Williams Remembered, Arclite Theatre; and Three Penny Opera,Guthrie Theatre; designed costumes and sets for Scenery; also designed costumes for productions at Center Stage, Baltimore, MD; Inner City Repertory Theatre, Los Angeles; Kennedy Center for the Performing Arts, Washington,DC; Long Wharf Theatre, New Haven CT; McCarter Theatre, Princeton, NJ; Seattle Repertory Theatre, Seattle, WA; and Studio Arena Theatre, Buffalo, NY; designer for the opera Rigoletto, Opera Company of Boston, and for operasat Washington Opera Society, 1975, Hamburg State Opera, 1979, and Los AngelesOpera, 1999.
- Other
- Scenic designer, Bells Are Ringing, Schwab Auditorium, UniversityPark, PA, 1962
- Film Costume Designer
- In the Spirit, Castle Hill, 1990
- Television Costume Designer
- Specials
- Designer for The Beggar's Opera, In Fashion, and The Seagull.
- Other
- Saturday Night Live (series), NBC, 1985-1986
- Also designed costumes for the pilot The Rita Show, CBS.
- WRITINGS
- Contributor of articles to periodicals, including Theatre Crafts.
Further Reference
OTHER SOURCES
- Contemporary Designers, 3rd edition, St. James Press, 1997