Rob Marshall Biography (1960-)

Born October 17, 1960, in Madison, WI; raised in Pittsburgh, PA. Addresses: Agent: International Creative Management, 8942 Wilshire Blvd., BeverlyHills, CA 90211.

Nationality
American
Gender
Male
Occupation
Dancer, choreographer, director
Birth Details
October 17, 1960
Madison, Wisconsin, United States

Famous Works

  • CREDITS
  • Stage Work
  • Choreographer, Bells Are Ringing, Goodspeed Opera House, East Haddam, CT, 1990
  • Choreographer, Eleanor, Pittsburgh Public Theatre, Pittsburgh, PA,1990-1991
  • Choreographer and director, Chess, Paper Mill Playhouse, Millburn,NJ, 1991-1992
  • The 1940's Radio Hour, Repertory Theatre of St. Louis, St. Louis,MO, 1991-1992
  • Director and (with sister, Kathleen Marshall) choreographer, A ChorusLine, Westchester Broadway Theatre, Elmsford, NY, 1991-1992
  • Choreographer, A Christmas Carol, McCarter Theatre, Princeton, NJ,1992-1993
  • Musical staging, She Loves Me, Center Stage Right/Criterion Theatre, then Roundabout Theatre, both New York City, 1993, then Brooks Atkinson Theatre, New York City, 1993-1994, later London production
  • Contributor, Kiss of the Spider Woman, Broadhurst Theatre, New York City, 1993-1995, then London production
  • Choreographer, Damn Yankees, Marquis Theatre, New York City, 1994-1995, then London production, 1997
  • Musical staging, The Petrified Prince, New York Shakespeare Festival, Martinson Theatre/Public Theatre, New York City, 1994-1995
  • Musical staging, Company, Center Stage Right/Criterion Theatre, 1995
  • Choreographer, Victor/Victoria, Marquis Theatre, 1995-1997
  • Choreographer, A Funny Thing Happened on the Way to the Forum, St.James Theatre, New York City, 1996-1998
  • Choreographer and codirector, Cabaret, Kit Kat Club, New York City, 1998-1999
  • Choreographer and director, Little Me, Criterion Center Stage Right, New York City, 1998-1999
  • Uncredited direction, Seussical, Richard Rogers Theatre, New YorkCity, 2000
  • Also worked as director, Chicago, Long Beach, CA; director and choreographer, Promises, Promises; choreographer of Pittsburgh productions of Brigadoon, Camelot, Oliver, and South Pacific.
  • Major Tours
  • Choreographer, Drood!, 1988
  • Director, Cabaret, U.S. cities, 2000
  • Stage Appearances
  • Understudy for the role of Munkustrap, Cats, Winter Garden Theatre, New York City, between 1982 and 1987
  • Boogie-Woogie Rumble of a Dream Deferred, off-Broadway production,1982
  • Marsalis and monk, Zorba, Broadway Theatre, New York City, 1983-1984
  • Understudy for the roles of Lino, Lucky, and Tony, The Rink, Martin Beck Theatre, New York City, 1984
  • Ann Reinking ... Music Moves Me, Joyce Theatre, New York City, 1984-1985
  • Christopher Lyon, The Mystery of Edwin Drood, Delacorte Theatre/Central Park, New York City, 1985, then Imperial Theatre, New York City, 1985-1986
  • Major Tours
  • A Chorus Line, 1980
  • Marsalis and monk, Zorba, U.S. cities, 1983
  • Television Choreographer
  • Specials
  • Choreographer, "Victor/Victoria," Julie Andrews: Back on Broadway,PBS, 1995
  • Choreographer, America's Millennium, CBS, 1999
  • Choreographer, Victor/Victoria, Bravo, 2000
  • Chita Rivera tribute conceiver and choreographer, The 25th AnniversaryKennedy Center Honors: A Celebration of the Performing Arts, CBS, 2002
  • Artistic supervisor (Chicago dance performance), The 75th Annual Academy Awards, ABC, 2003
  • Television Work
  • Movies
  • Choreographer, Mrs. Santa Claus, CBS, 1996
  • Choreographer and musical staging, "Cinderella" (also known as "Rodgers and Hammerstein's Cinderella"), The Wonderful World of Disney, ABC, 1997
  • Director and choreographer, Annie, ABC, 1999
  • Television Appearances
  • Specials
  • On the Move: The Central Ballet of Canada, PBS, 1988
  • Episodic
  • Behind the Movie, VH1, 2003
  • Film Work
  • Choreographer, Cradle Will Rock, Buena Vista, 1999
  • Director and choreographer, Chicago, Miramax, 2002

Further Reference

OTHER SOURCES

    Periodicals
    • Dance Magazine, March, 1994, p. 70; August, 1996, p. 62
    • Newsweek, January 27, 2003, p. 67
    • Playbill, February 28, 2003, p. 21

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