1. Theatre, Film, and Television Biographies
2. Melissa Errico to Colleen Fitzpatrick

Arden Fingerhut Biography ((?)-)

Addresses: OFFICE--215 W. 92nd Street, New York, NY 10025.

Gender

Male

Famous Works

• Credits
• PRINCIPAL STAGE WORK; ALL AS LIGHTING DESIGNER,UNLESS INDICATED The Children, New York Shakespeare Festival (NYSF), Public Theatre, New York City, 1972.
• Felix, Cherry Lane Theatre, New York City, 1974.
• Electra, St. Clement's Church Theatre, New York City, 1974.
• Life Class, The Sea, and set designer, The Seagull, all Manhattan TheatreClub, New York City, 1975.
• Ladies at the Alamo, The Actor's Studio Theatre, New York City, 1975.
• A Fable, Exchange Theatre, Westbeth, NY, 1975.
• Jesse and the Bandit Queen, NYSF, Public Theatre, 1975.
• The Blood Knot, Manhattan Theatre Club, 1976.
• The Spelling Bee, Playwrights Horizons, New York City, 1976.
• Who Killed Richard Cory?, Circle Repertory Company, Circle Repertory Theatre, New York City, 1976.
• The Cherry Orchard, Roundabout Theatre, New York City, 1976.
• Rich and Famous, NYSF, Public Theatre, 1976.
• Children, Manhattan Theatre Club, 1976.
• Memphis Is Gone, St. Clement's Church Theatre, 1977.
• G.R. Point, Phoenix Theatre Company, Marymount Manhattan Theatre, New York City, 1977.
• Unsung Cole, Circle Repertory Company, Circle Repertory Theatre, 1977.
• Green Pond, Chelsea Westside Theatre, New York City, 1977.
• A Prayer for My Daughter and Fathers and Sons, both NYSF, Public Theatre,1978.
• Taxi Tales, Century Theatre, New York City, 1978.
• Catchpenny Twist, Hartford Stage Company, Hartford, CT, 1978.
• Da, Morosco Theatre, New York City, 1978.
• Taken in Marriage and Nasty Rumors and Final Remarks, both NYSF, Public Theatre, 1979.
• Bent, New Apollo Theatre, New York City, 1979.
• The Winter's Tale, Arena Stage, Washington, DC, 1979.
• A Christmas Carol, Measure for Measure, and Watch on the Rhine, all Center Stage Theatre, Baltimore, MD, 1979.
• The Haggadah: A Passover Cantata, Alice in Concert, and Girls, Girls, Girls, all NYSF, Public Theatre, 1980.
• The Diviners, Circle Repertory Company, Circle Repertory Theatre, 1980.
• Holiday, Center Theatre Group, Ahmanson Theatre, Los Angeles, CA, 1980.
• Hide and Seek, Belasco Theatre, New York City, 1980.
• Salt Lake City Skyline and The Father, both Circle in the Square, New York City, 1981.
• My Sister in This House, Second Stage Theatre, New York City, 1981.
• Inadmissable Evidence, Roundabout Theatre, New York City, 1981.
• Oedipus the King, Brooklyn Academy of Music, Brooklyn, NY, 1981.
• A Man for All Seasons, Center Stage, 1981.
• Einstein and the Polar Bear, Cort Theatre, New York City, 1981.
• After the Prize, Phoenix Theatre Company, Marymount Manhattan Theatre, 1981.
• Galileo and God Bless You, Mr. Rosewater, both Arena Stage, 1981.
• The Haggadah, NYSF, Public Theatre, 1981, then 1982.
• The Great Magoo, Hartford Stage Company, 1982.
• Two Fish in the Sky, Phoenix Theatre Company, Theatre at St. Peter's Church, New York City, 1982.
• The Death of a Miner, American Place Theatre, 1982.
• Extremities, Westside Arts Theatre, New York City, 1982.
• Clownmaker, Wonderhorse Theatre, New York City, 1982.
• Plenty, NYSF, Public Theatre, 1982, then Plymouth Theatre, New York City,1983.
• director, A Lesson from Aloes, Portland Stage Company, Portland, ME, 1983.
• The Woman, Center Stage, 1983.
• Wild Life, Vandam Theatre, New York City, 1983.
• The Arbor, La Mama Experimental Theatre Club, New York City, 1983.
• The Adventures of Huckleberry Finn, Seattle Repertory Theatre, Seattle, WA, 1983.
• Blue Plate Special and On the Swing Shift, both Manhattan Theatre Club, 1983.
• Great Days, American Place Theatre, 1983.
• A Private View, NYSF, Public Theatre, 1983.
• Teaneck Tanzi: The Venus Flytrap, Nederlander Theatre, New York City, 1983.
• Slab Boys, Playhouse Theatre, New York City, 1983.
• Alone Together, Music Box Theatre, New York City, 1984.
• The Golden Age, Jack Lawrence Theatre, New York City, 1984.
• Beloved Friend, Hartman Theatre Company, Stamford, CT, 1984.
• The Nest of the Woodgrouse, NYSF, Public Theatre, 1984.
• For Sale, Playhouse 91, New York City, 1985.
• The Beautiful Lady, Mark Taper Forum, Los Angeles, CA, 1985.
• Virginia, NYSF, Public Theatre, 1985.
• Hay Fever, Music Box Theatre, 1986.
• Laughing Wild, Playwrights Horizons, 1987.
• Driving Miss Daisy, John Houseman Theatre, New York City, 1987.
• Julius Caesar, NYSF, Public Theatre, 1988.
• Also lighting designer for The Three Lives of Lucie Cabrol, 1987;A Lessonfrom Aloes, Mark Taper Forum, Los Angeles, CA; A Jungle of Cities and SpringAwakening, both NYSF, Public Theatre; A Midsummer Night's Dream, RelativelySpeaking, and In Celebration, all Arena Stage; Hedda Gabler and The Importance of Being Earnest, both Syracuse Stage, Syracuse, NY; The Tempest, Incidentat Vichy, Waiting for Godot, and A Long Day's Journey into Night, all Playhouse-in-the- Park, Cincinnati, OH; with the Milwaukee Repertory Theatre, Milwaukee, WI, 1978-82; Arena Stage, 1979-84; Hartford Stage Company, CT, 1980-81;Missouri Repertory Company, Kansas City, MO, 1980-81; Philadelphia Drama Guild, Philadelphia, PA, 1980-81; Portland Stage Company, 1981-83 and 1985-86; Goodman Theatre, Chicago, IL; the Opera Theatre of St. Louis, St. Louis, MO; and with the Folger Theatre Group, Washington, DC.
• Credits; MAJOR TOURS
• Lighting designer, Da, U.S. cities, 1979.
• Also lighting designer, A Streetcar Named Desire, Milwaukee Repertory Theatre tour of Japanese cities; Terminal, Mutation Show, Nightwalk, and The Fable, all Open Theatre tour of U.S. and European cities.