Theatre, Film, and Television Biographies
James D. Bissell to Marlon Brando
Boothe Biography (1945-)
Addresses: Home: 49 Crosby Street, New York, NY, 10012.
In addition to his dance and theatre designs, Mr. Boothe' work has been exhibited in galleries and museums throughout the country from 1968 to the present.
- Power, designer
- Birth Details
- December 3, 1945
- Dallas, Texas
First Stage Works
- Art director, Elephant Steps, Tanglewood, MA, 1968.
First New York Stage Work
- Set designer, Southern Exposure, Performing Garage, 1978.
Principal Stage Work
- Set design: Red Horse Animation, Mabou Mines, Guggenheim Museum, 1970; Step Wise Motion, Dance Theatre Workshop, NY, 1982; Trying Times, Dance Theatre Workshop, NY, 1982; The Mother of Us All, (opera), Music Theatre Group/Lenox Arts Center at St. Clements Theatre, NY, Lenox Arts Center, MA, Wolftrap Farm Park, VA, 1983; Phantom Limbs, Theatre of the Open Eye, NY, 1983; Bill Loman, Kitchen, NY, 1983; Formal Abandon, (dance), University of California, Berkeley, 1984; Variety Show, (dance), Dance Theatre Workshop, NY, New Performance Gallery, San Francisco, CA, 1984; Frame-work, (dance), Dance Theatre Workshop, NY, Loeb Theatre, Cambridge, MA, 1984.
Principal Film and Video Work
- Producer/director, Out of Line Series: Match, (3 minute film), LosAngeles, CA, 1973; producer/director, Portrait Series: Jim, (3 minutefilm) NY, 1973; producer/director, Out of Line Series: Glass Curtains, (5 minute film), Los Angeles, CA, 1974; producer/director, Portraits Series; Victor, (3 minute film), Denver, Co, 1974; set design, A PeculiarTurn of Events, (15 minute film), NY, 1980; set design, The Cold Eeye, (30 minute film), NY, 1980; set design, It Starts at Home, (30 minute video), Whitney Museum, NY, 1982; production design, Lies, (4 minute video), 1983; production design, Far from the Beaten Path, (4 minute video), 1983; production design, Girls Just Want to Have Fun, (4 minute video), 1983; producer/director, Portrait Series: Brook, (3 minute film), Collective for Living Cinema, 1983.
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