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Bob Crowley Biography (1953?-)

Born c. 1953, in County Cork, Ireland.

Nationality

Irish

Gender

Male

Occupation

Set designer, costume designer

Birth Details

1953?

Cork, Ireland

Famous Works

• CREDITS
• Stage Work
• Set and Costume Designer
• Les liaisons dangereuses, Royal Shakespeare Company, London, thenMusic Box Theatre, New York City, 1987
• Carousel, Royal National Theatre, Upstairs, Olivier Theatre, London, 1993, then Vivian Beaumont Theatre, Lincoln Center, New York City, 1994-1995
• Racing Demon, Royal National Theatre, then Vivian Beaumont Theatre, Lincoln Center, 1995
• The Capeman, Marquis Theatre, New York City, 1998
• The Judas Kiss, Almeida Theatre, London, then Broadhurst Theatre,New York City, both 1998
• The Iceman Cometh, Almeida Theatre, then Brooks Atkinson Theatre,New York City, 1999
• Amy's View, Royal National Theatre, then Ethel Barrymore Theatre,New York City, 1999
• Putting It Together, Ethel Barrymore Theatre, 1999-2000
• Aida, Palace Theatre, New York City, 2000-
• The Invention of Love, Lyceum Theatre, New York City, 2001
• The Seagull, Delacorte Theatre, Public Theatre, New York City, 2001
• Sweet Smell of Success, Martin Beck Theatre, New York City, 2002
• Set Designer
• Richard III, Brooklyn Academy of Music Theatre, Brooklyn, NY, 1992
• The Sea, Lyttelton Theatre, London, 1992
• Hamlet, Royal Shakespeare Company, Barbican Center Theatre, London, 1993
• Hapgood, London, then Mitzi E. Newhouse Theatre, New York City, 1995
• Twelfth Night; or, What You Will, Vivian Beaumont Theatre, LincolnCenter, New York City, 1998
• Anastasia (ballet), Royal Ballet, then American Ballet Theatre, Metropolitan Opera House, New York City, 1999
• The Witches of Eastwick, Theatre Royal Drury Lane, London, 2000
• Orpheus Descending, Donmar Warehouse Theatre, London, 2000
• Set designer for Royal Shakespeare Company productions of The Crucible, Hamlet, Henry V, London, Love's Labour's Lost, Macbeth, Measure for Measure, Othello, and The Plantagenets; set designer for Royal National Theatre productions of The Designated Mourner, Hedda Gabler, and King Lear; set designer forCressida; The Cryptogram, London; The David Hare Trilogy, London and New York City; The Importance of Being Earnest, London;and When She Danced, London; set designer and director (with Stephen Rea) of The Cure at Troy, Field Day Company, Ireland; set designer foroperas, including The Cunning Little Vixen, Chatelet, Paris, Don Giovanni, Munich, Germany, The Magic Flute, English National Opera,and La traviata, Royal Opera House, Theatre at Covent Garden, London.
• Television Production Designer
• Specials
• Tales from Hollywood, PBS, 1992
• Suddenly, Last Summer, PBS, 1993
• (And costume designer) The Cunning Little Vixen (also known as La petite renarde rusee), BBC (England), 1995
• Movies
• King Lear, BBC (England), 1997
• Twelfth Night, PBS, 1998
• Other
• La traviata, 1994
• Film Work
• Costume designer, The Crucible, Twentieth Century-Fox, 1996
• Production Designer, The Designated Mourner, First Look Pictures Releasing, 1997

Further Reference

OTHER SOURCES

Periodicals

• Time, August 31, 1998, p. 72