Robert K. Lambert Biography ((?)-)

Avocational interests: Auto racing, building race cars. Addresses: Agent: Doug Apatow Agency, 12049 Jefferson Blvd., Culver City, CA 90230.

Gender
Male
Occupation
Film editor, producer

Famous Works

  • CREDITS
  • Film Work
  • Editor
  • Wattstax (documentary), Columbia, 1973
  • Visions of Eight, 1973
  • (With Peter C. Johnson) Life Goes to the Movies (documentary), 1976
  • The Mysterious Monsters, 1976
  • Sorcerer (also known as Wages of Fear), Paramount/Universal, 1977
  • The Driver, Twentieth Century-Fox, 1978
  • The Secret Life of Plants (documentary), Paramount, 1978
  • The Brink's Job, 1978
  • (With Chris Lebenzon and Ian Masters; also unit director and post-production supervisor) The Final Countdown (documentary), United Artists, 1980
  • (And unit director) The Border, Universal, 1982
  • (And unit director) The Hotel New Hampshire, Orion, 1984
  • Heavenly Bodies, Metro-Goldwyn-Mayer, 1984
  • (And associate producer) Bring On the Night (documentary), SamuelGoldwyn Company, 1985
  • Critical Condition, Paramount, 1987
  • Final Cut, Forward Pictures, 1988
  • (Additional editing) Last Action Hero, 1993
  • (And unit director) Blue Sky, Orion, 1994
  • Blue Chips, Paramount, 1994
  • Ed, Universal, 1996
  • Angel of Pennsylvania Avenue, 1996
  • Without Limits, Warner Bros., 1998
  • Three Kings, Warner Bros., 1999
  • Red Planet, Warner Bros., 2000
  • Also edited the films The Exorcist (recut version) and The Hellstrom Chronicle.
  • Other
  • Additional editing for restored version, Tom Jones, Lopert Pictures Corp., 1963
  • Associate editor, Movin' with Nancy, Boots Enterprises/David L. Wolper Productions, 1967
  • Assistant editor, Monte Carlo: C'est la Rose (documentary), DavidL. Wolper Productions, 1968
  • (As Robert Lambert) Assistant editor, If It's Tuesday, This Must Be Belgium, United Artists, 1969
  • Post-production executive, Dead & Buried, Avco Embassy, 1981
  • Executive in charge of post-production, The Little Death, PolyGramFilmed Entertainment, 1995
  • Producer, Casa Hollywood, Casa Hollywood, 1996
  • Television Film Editor
  • Miniseries
  • (With David A. Simmons and Fabien D. Tordjmann) Shadow on the Sun(also known as Beryl Markham: A Shadow on the Sun), CBS, 1988
  • The Phantom of the Opera, NBC, 1990
  • Women and Men: Stories of Seduction, 1990
  • Television Work
  • Series
  • Assistant editor, National Geographic Specials, between 1964 and 1975
  • Assistant editor, Time-Life Specials: The March of Time, 1966
  • Assistant editor, The Undersea World of Jacques Cousteau, ABC, 1966
  • Editor and photographer for Wide World of Sports, ABC.
  • Other
  • Assistant editor, The Big Land (documentary), 1967
  • Assistant editor, The Beat of the Brass, 1968
  • Editor, I Will Fight No More Forever (special), 1975
  • Editor and associate producer, In the Arms of a Killer (movie), NBC, 1992

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