Darius Khondji Biography (1955-)

Born October 21, 1955, in Tehran, Iran; raised in Paris, France; married; wife's name, Marianne; children: Marie Louise, Josephine, and Alexandre. Addresses: Agent: International Creative Management, 76 Oxford St., London W1N 0AX, England.

Nationality
Iranian
Gender
Male
Occupation
Cinematographer, cameraman
Birth Details
October 21, 1955
Tehran, Iran

Famous Works

  • CREDITS
  • Film Cinematographer
  • Classique, 1985
  • Embrasse-moi, 1988
  • Le tresor des chiennes (also known as Treasure of Bitch Island), 1989
  • Delicatessen, Miramax, 1991
  • Prague, 1992
  • L'ombre du doute (also known as A Shadow of a Doubt), Vertigo Films, 1993
  • Marie-Louise ou la permission (also known as Marie-Louise or The Leave), 1994
  • Parano, 1994
  • La cite des enfants perdus (also known as The City of the LostChildren), Sony Pictures Classics, 1995
  • Pred dozhdot (also known as Before the Rain), 1995
  • Se7en (also known as Seven), New Line Cinema, 1995
  • Stealing Beauty (also known as Beaute volee and Io balloda sola), Twentieth Century-Fox, 1996
  • Evita, Buena Vista, 1996
  • Alien: Resurrection (also known as Alien 4), Twentieth Century-Fox, 1997
  • The Ninth Gate (also known as La neuvieme porte and La novena puerta), Artisan Entertainment, 1999
  • The Beach, Twentieth Century-Fox, 1999
  • Blue Vision (also known as In Dreams), DreamWorks, 1999
  • Panic Room, Sony Pictures Entertainment, 2002
  • Anything Else, DreamWorks, 2003
  • Film Work
  • Other
  • Camera assistant, Flugel und Fellel, 1984
  • First assistant camera, Rive droite, rive gauche (also known as Right Bank, Left Bank), 1984
  • Assistant camera, Jeans Tonic (also known as Jeans, basket et Coca-Cola), 1984
  • First assistant camera, Le lieu du crime (also known as Le crime, Le mauvaise herbe, and Scene of the Crime), 1986
  • Assistant camera, Double messieurs (also known as Double Gentlemen), 1986
  • RECORDINGS
  • Music Videos; Cinematographer
  • Madonna's "Frozen," 1998
  • Leftfield's "Afrika Shox," 2000

Further Reference

OTHER SOURCES

    Periodicals
    • American Cinematographer, October, 1995, pp. 34-42

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