Tony Kushner Biography (c. 1956-)

Born c. 1956, in New York, NY; son of Bill (a clarinetist and conductor) andSylvia (a bassoonist) Kushner. Addresses: Agent--Joyce Ketay, 1501 Broadway, Suite 1910, New York, New York 10024, U.S.A.

Nationality
American
Gender
Male
Birth Details
c. 1956
New York, New York, United States

Famous Works

  • Credits; STAGE WORK
  • Director, Yes Yes No No: The Solace-of-Solstice, Apogee/Perigee, Bestial/Celestial Holiday Show, Imaginary Theatre Company, Repertory Theatre of St. Louis, St. Louis, MO, 1985.
  • Director and designer of sets and costumes, In Great Eliza's Golden Time, Repertory Theatre of St. Louis, MO, 1986.
  • Director, Golden Boy, Repertory Theatre of St. Louis, 1986.
  • Credits; STAGE APPEARANCES
  • Letter from New York to Sarajevo, Union Square Theatre, 1995.
  • Credits; TELEVISION APPEARANCES; SPECIALS
  • The 47th Annual Tony Awards, CBS, 1993.
  • In Search of Angels, PBS, 1994.
  • Credits; TELEVISION APPEARANCES; EPISODIC
  • "In the Wings: Angels in America on Broadway" (also see below), GreatPerformances, PBS, 1993.
  • Writings
  • Yes Yes No No: The Solace-of-Solstice, Apogee/Perigee, Bestial/Celestial Holiday Show, Imaginary Theatre Company, Repertory Theatre of St. Louis, St. Louis, MO, 1985.
  • Actors on Acting, Imaginary Theatre Company, Repertory Theatre ofSt.
  • Louis, 1985-86.
  • In Great Eliza's Golden Time, Repertory Theatre of St. Louis, 1986.
  • The Protozoa Revue, Repertory Theatre of St. Louis, 1986.
  • The Illusion (adaptation of a play by Pierre Corneille), New YorkTheatre Workshop, New York City, 1988, then Hartford Stage Company, Hartford,CT, and Los Angeles Theatre Center, Los Angeles, both 1989- 90.
  • A Bright Room Called Day, produced in London, then Public Theatre/LuEsther Hall, New York City, both 1990-91.
  • Angels in America: A Gay Fantasia on National ThemesPart One: Millennium Approaches(produced in San Francisco, 1991), Hern, 1992.
  • Angels in America: A Gay Fantasia on National Themes, Part Two: Perestroika, produced in New York City, 1992.
  • A Meditation from Angels in America, Harper San Francisco, 1994.
  • Slavs! Thinking About the Longstanding Problems of Virtue and Happiness, Theatre Communications Group, 1995.
  • A Dybbuk, or Between Two Worlds(adapted from Joachim Neugroschel'stransation of the original play by S. Ansky; produced in New York City at the Joseph Papp Public Theater, 1997), Theatre Communications Group, 1997.
  • The Good Person of Szechuan(adapted from the original play by Bertolt Brecht), Arcade, 1997.
  • Tony Kushner in Conversation, edited by Robert Vorlicky, University of Michigan Press, 1997.
  • (With Eric Bogosian and others) Love's Fire: Seven New Plays Inspiredby Seven Shakespearean Sonnets, Morrow, 1998.
  • Henry Box Brown, or the Mirror of Slavery, performed at the RoyalNational Theare, London, 1998.
  • Death & Taxes: Hydriotaphia, and Other Plays, Theatre Communications Group (New York, NY), 2000.
  • Angels in America (screenplay; directed by Robert Altman), in production.
  • Also author of La Fin de la Baleine: An Opera for the Apocalypse,produced in New York City, 1982; and The Heavenly Theatre, New York City, c.1986.
  • Other Works
  • Adaptations: Angels in America was adapted as a motion picture bydirector Robert Atlman, c. 1995.

Further Reference

PERIODICALS

  • New York, November 30, 1992, p. 59.
  • New Yorker, June 21, 1993, p. 31.

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