Stephen Hunter Flick Biography (1949-)

Born June 21, 1949, in Evanston, IL; son of C. E. and Margaret Ann Flick. Addresses: Office: Weddington Productions, 2959 Glendale Blvd., Los Angeles, CA 90039-1801.

Nationality
American
Gender
Male
Occupation
Sound effects creator/editor, sound editor, sound designer, producer
Birth Details
June 21, 1949
Evanston, Illinois, United States

Famous Works

  • CREDITS
  • Film Sound Work
  • Sound editor, Star Trek: The Motion Picture, Paramount, 1979
  • (As Stephen Flick) Sound effects editor, The Final Countdown, United Artists, 1980
  • Sound effects, Dr. Heckyl and Mr. Hype, Cannon, 1980
  • Sound editor supervisor, Poltergeist, Metro-Goldwyn-Mayer, 1981
  • Sound effects editor, The Hand, 1981
  • Sound editor, Pennies from Heaven, Metro-Goldwyn-Mayer/United Artists, 1981
  • (As Steve H. Flick) Sound effects editor, Raiders of the Lost Ark(also known as Indiana Jones and the Raiders of the Lost Ark), Paramount, 1981
  • Sound effects editor supervisor, 48 Hrs., Paramount, 1982
  • (As Stephen Flick) Sound editor, Under Fire, Orion, 1983
  • Supervising sound effects editor, Deal of the Century, 1983
  • Sound editor supervisor, Streets of Fire, Universal, 1984
  • Sound editor supervisor, Body Double, Columbia, 1984
  • Sound editor supervisor, Weird Science, Universal, 1985
  • Sound editor supervisor, Brewster's Millions, Universal, 1985
  • Sound effects editor, Solarbabies (also known as Solar Warriors), 1986
  • Supervising sound effects editor, The Hitcher, 1986
  • Sound effects supervisor, Robocop, Orion, 1987
  • (As Stephen H. Flick) Sound effects, Die Hard, Twentieth Century-Fox, 1988
  • Supervising sound effects editor, Poltergeist III, 1988
  • Supervising sound editor, Dad, 1989
  • Supervising sound editor, Tremors, 1990
  • Supervising sound effects editor, Total Recall, Tri-Star, 1990
  • Sound effects supervisor and supervising sound editor, Robocop 2,Orion, 1990
  • Sound effects, Predator 2, Twentieth Century-Fox, 1990
  • Sound effects, Point Break, Largo Entertainment, 1991
  • Supervising sound editor, Eyes of an Angel (also known as The Tender), 1991
  • Sound effects editor, Basic Instinct, 1992
  • Dialogue editor, Batman Returns, 1992
  • (As Stephen H. Flick) Supervising sound editor, Reservoir Dogs, 1992
  • Supervising sound editor, Best of the Best II, 1993
  • Sound editor, Quick (also known as Crossfire), 1993
  • Supervising sound editor, Speed, 1994
  • (As Stephen H. Flick) Supervising sound editor, Pulp Fiction, 1994
  • (As Stephen Flick) Supervising sound editor, The Return of Jafar,1994
  • (As Stephen H. Flick) Supervising sound editor, Reality Bites, 1994
  • Supervising sound editor, Hideaway, 1995
  • Supervising sound editor, Apollo 13, 1995
  • Sound effects supervisor, Showgirls, 1995
  • Supervising sound editor, Mulholland Falls, Metro-Goldwyn-Mayer, 1996
  • Supervising sound editor, Twister, Warner Bros., 1996
  • (As Stephen H. Flick) Supervising sound editor, Alaska, Sony Pictures Entertainment, 1996
  • Supervising sound editor, The Long Kiss Goodnight, New Line Cinema, 1996
  • Supervising sound editor, Aladdin and the King of Thieves (animated), Walt Disney Home Video, 1996
  • Sound designer, Mad Dog Time, 1996
  • Sound designer and sound supervisor, Starship Troopers, Sony Pictures Entertainment, 1997
  • Supervising sound editor, Jackie Brown, 1997
  • Supervising sound editor, Nightwatch, Dimension/Miramax, 1998
  • Sound designer and sound supervisor, Disturbing Behavior, ColumbiaTriStar, 1998
  • Supervising sound editor, T-Rex: Back to the Cretaceous, Imax Corp., 1998
  • Sound designer and sound supervisor, A Murder of Crows, New City Releasing, 1999
  • Sound designer and supervising sound editor, The General's Daughter (also known as Wehrlos--Die Tochter des Generals), Paramount, 1999
  • Sound designer and supervisor, Mystery Men, Universal, 1999
  • Sound designer and supervisor, Play It to the Bone, 1999
  • Supervising sound editor, The Big Tease, Warner Bros., 1999
  • Supervising sound editor, The Hi-Line, Panorama Entertainment, 1999
  • Sound designer, My Dog Skip, Warner Bros., 2000
  • Sound designer and sound editor, Urbania, Lions Gate Films, 2000
  • Supervising sound editor, Bless the Child, Paramount, 2000
  • Sound designer and supervising sound editor, All the Pretty Horses, Miramax, 2000
  • Sound supervisor and sound designer, The Contender, 2000
  • Sound designer, Road Dogs, 2000
  • Supervising sound editor, Daddy and Them, Miramax, 2001
  • Supervising sound editor, Equilibrium, Dimension Films, 2001
  • Film Associate Producer
  • (And, as Stephen Flick, post-production supervisor) 84C MoPic (also known as 84 Charlie Mopic), 1989
  • Eddie Presley, 1992
  • Television Sound Designer
  • Movies
  • Brave New World, 1998

Further Reference

OTHER SOURCES

    Periodicals
    • The Hollywood Reporter Craft Series: Sound Editors and Mixers, February 4, 1991, pp. S-10, S-12.