David Mamet Biography (1947-)

Surname is pronounced "Mam-it"; full name, David Alan Mamet; born November 30, 1947, in Chicago (some sources cite Flossmoor), IL; son of Bernard Morris (an attorney) and Lenore June (a teacher; maiden name, Silver) Mamet; brotherof Lynn Mamet (a writer and producer) and Tony Mamet (an actor); married Lindsay Crouse (an actress), December 21, 1977 (divorced); married Rebecca Pidgeon (an actress, singer, and songwriter), September 22, 1991; children: (firstmarriage) Willa, Zosia; (second marriage) Clara, Noah. Addresses: Agent: International Creative Management, 8942 Wilshire Blvd., Beverly Hills, CA90211.

Nationality: American
Gender: Male
Occupation: Writer, producer, director, actor
Birth Details: November 30, 1947; Illinois

Famous Works

CREDITS
Stage Director
Beyond the Horizon, St. Nicholas Theatre, Chicago, IL, 1974
The Woods (two-act), St. Nicholas Theatre, 1977
Reunion, Circle Repertory Theatre, New York City, 1979
Twelfth Night, Circle Repertory Theatre, 1980
A Sermon (one-act), Ensemble Studio Theatre, New York City, 1981
The Woods (two-act), Second Stage Theatre, New York City, 1982
Litko (double-bill with Shoehorn), Hartley House Theatre, New York City, 1984
Oleanna, American Repertory Theatre, Hasty Pudding Theatre, Cambridge, MA, 1991-1992, then Orpheum Theatre, New York City, 1992-1994, other productions
The Cryptogram, London, 1994, later C. Walsh Theatre, Boston, MA,1995, then Westside Arts Theatre Upstairs, New York City, 1995
Ricky Jay and His 52 Assistants (solo show), Second Stage Theatre,McGinn-Cazale Theatre, New York City, 1994, c. 1998
Dangerous Corner, Atlantic Theatre Company, New York City, 1995
Ricky Jay: On the Stem (solo show), Second Stage Theatre, 2002
Dr. Faustus, Magic Theatre, San Francisco, CA, 2004
House manager and lighting technician for a production of The Fantasticks, off-Broadway.
Stage Appearances
Ricky Jay and David Mamet: Two Hussies, Town Hall Theatre, New York City, 2001
Film Director
House of Games, Orion, 1987
Things Change, Columbia, 1988
Homicide, Columbia, 1991
Oleanna, Samuel Goldwyn, 1994
The Spanish Prisoner, Sony Pictures Classics, 1997
The Winslow Boy, Sony Pictures Classics, 1999
State and Main (also known as Sequences et consequences), Fine Line, 2000
Heist (also known as Le vol), Warner Bros., 2001
Spartan, Warner Bros., 2004
Whistle, 2005
Film Work
Other
Associate producer, Hoffa, Twentieth Century-Fox, 1992
Film Appearances
Herb, Black Widow, Twentieth Century-Fox, 1987
Television Work
Movies
Executive producer, Lansky, HBO, 1999
Specials
Executive producer, "A Life in the Theatre," Great Performances, PBS, 1979
Executive producer (with Michael Hausman), "Lip Service," HBO Showcase, HBO, 1988
Executive producer, A Life in the Theatre, TNT, 1993
Director, Ricky Jay and His 52 Assistants, HBO, 1996
Director, Catastrophe, PBS, 2000
Television Director
Episodic
"Strays," The Shield, FX Network, 2004
Television Appearances
Miniseries
Himself, Changing Stages, PBS, 2001
Movies
Brown-haired man, "The Water Engine," TNT Screenworks, TNT, 1992
Specials
Himself, "Sanford Meisner--The Theatre's Best Kept Secret," American Masters, PBS, 1990
Himself, Chicago on Stage, PBS, 1995
Episodic
Guest, Late Night with David Letterman, NBC, 1984
Himself, The South Bank Show, London Weekend Television, 1985
Voice, "New Phone System," Dr. Katz: Professional Therapist (animated), Comedy Central, 1997
The Directors, 2004
WRITINGS
Stage Plays
Lakeboat (one-act), Marlboro Theatre Workshop, Marlboro, VT, 1970,revised version produced in Milwaukee, WI, 1980, then Goodman Theatre, Chicago, IL, 1982, later Long Wharf Theatre, New Haven, CT, 1982, published by Grove Press, 1981, and in collections
Mackinac (for children), St. Nicholas Company, Goddard College Theatre, Plainfield, VT, 1972
Marranos, Chicago, IL, c. 1972
Duck Variations (one-act), St. Nicholas Company, Goddard College Theatre, 1972, then Theatre at St. Clement's Church, New York City, 1975, thenCherry Lane Theatre, New York City, 1976-1977, later Regent Theatre, London,1977, published in collections
The Poet and the Rent: A Play for Kids from Seven to 8:15, Chicago, IL, 1974, published in collections
Sexual Perversity in Chicago (one-act), Organic Theatre Company, Chicago, IL, 1974, then Theatre at St. Clement's Church, 1975, then Cherry Lane Theatre, 1976, later Regent Theatre, 1977, published in collections
Squirrels (one-act), St. Nicholas Theatre, Chicago, IL, 1974, thenKing's Head Theatre, London, 1993, published by Samuel French, 1982, and incollections
American Buffalo (two-act), Goodman Theatre, Stage Two, Chicago, IL, 1975, then Theatre at St. Clement's Church, 1976, revised version producedat Ethel Barrymore Theatre and Belasco Theatre, New York City, 1977, then Cottesloe Theatre, London, 1978, later Circle in the Square Downtown, New YorkCity, 1981-1982, and Booth Theatre, New York City, 1983, published by Grove Press, 1977, and in collections
Reunion (one-act), St. Nicholas Theatre, 1976, produced in a double-bill with Dark Pony, Yale Repertory Theatre, New Haven, CT, 1977, produced with Dark Pony and The Sanctity of Marriage as Reunion, Circle Repertory Theatre, New York City, 1979, published in collections
All Men Are Whores: An Inquiry, Yale Cabaret, New Haven, 1977, published in collections
Mr. Happiness (monologue), produced in a double-bill with The Water Engine: An American Fable (two-act), New York Shakespeare Festival,Public Theatre, Martinson Hall, 1977-1978, and Plymouth Theatre, New York City, 1978, published with The Water Engine: An American Fable, Grove Press, 1978, and in collections
The Revenge of the Space Pandas; or, Binky Rudich and the Two-Speed Clock (for children), St. Nicholas Theatre, then Flushing Town Hall, Flushing, Queens, New York City, both 1977, published by Dramatic Publishing Company, 1978, and in collections
The Water Engine: An American Fable (two-act; based on his radio play), St. Nicholas Theatre, 1977, produced in a double-bill with Mr. Happiness, New York Shakespeare Festival, Public Theatre, Martinson Hall, NewYork City, 1977-1978, and Plymouth Theatre, 1978, published with Mr. Happiness, Grove Press, 1978, and in collections
A Life in the Theatre (one-act), Goodman Theatre, Stage Two, 1977,then Theatre De Lys (now Lucille Lortel Theatre), New York City, 1977-1978,later Open Space Theatre, London, 1979, published by Grove Press, 1978
Dark Pony (one-act), produced in a double-bill with Reunion, Yale Repertory Theatre, 1977, produced with Reunion and The Sanctity of Marriage as Reunion, Circle Repertory Theatre, 1979, published in collections
The Woods (two-act), St. Nicholas Theatre, 1977, then New York Shakespeare Festival, Public Theatre, Estelle R. Newman Theatre, New York City,1979, later Second Stage Theatre, New York City, 1982, then London, 1984, published by Grove Press, 1979, and in collections
Libretto, Lone Canoe; or, The Explorer (musical), music and lyricsby Alaric Jans, Goodman Theatre, 1979
The Sanctity of Marriage (one-act), produced with Reunion and Dark Pony as Reunion, Circle Repertory Theatre, 1979, published in collections
Shoeshine (one-act), Ensemble Studio Theatre, New York City, 1979,published in collections
Prairie du Chien (one-act), first produced in 1979, produced in adouble-bill with The Shawl, Mitzi E. Newhouse Theatre, New York City,1985-1986, produced in London, 1986, published with The Shawl, Grove Press, 1985, and in collections
The Blue Hour: City Sketches, produced in 1981, published as The Blue City Sketches, Dramatists Play Service, and in collections
Donny March, produced in 1981
In Old Vermont, produced in 1981, published in collections
Litko, produced in 1981, produced in a double-bill with Shoehorn, Hartley House Theatre, New York City, 1984, published in collections
A Sermon (one-act), Ensemble Studio Theatre, 1981, then London, 1987, published in collections
Edmond, Goodman Theatre, 1982, then Provincetown Playhouse, New York City, 1982, later London, 1985, then Atlantic Theatre Company, New York City, 1996, published by Grove Press, 1983, and in collections
The Disappearance of the Jews (one-act), Goodman Theatre, 1983, published in collections
The Dog, produced in 1983, published in collections
Film Crew, produced in 1983, published in collections
4 A.M., produced in 1983, published in collections

Prologue: American Twilight, produced in 1983, published by Dramatists Play Service
(Adaptor) Pierre Laville, Red River, Goodman Theatre, 1983
"Two Conversations," "Two Scenes," and "Yes, but So What," produced in Five Unrelated Pieces, Ensemble Studio Theatre, 1983, published in collections
Glengarry Glen Ross (two-act), National Theatre, London, 1983, then Goodman Theatre, 1984, later John Golden Theatre, New York City, 1984-1985,published by Grove Press, 1984, and in collections
"Conversations with the Spirit World," "Deer Dogs," "Dowsing," and "Pint's a Pound the World Around," in Vermont Sketches, produced in New YorkCity, 1984, published in collections
Mamet, produced in 1984
The Frog Prince (for children), produced in Louisville, KY, 1984,then in Marathon '85, Ensemble Studio Theatre, 1985, published in collections
Columbus Avenue, produced in 1985, published in collections
Food, produced in 1985, published in collections
In the Mall, produced in 1985, published in collections
Maple Sugaring, produced in 1985, published in collections
Morris and Joe, produced in 1985, published in collections
The Power Outage, produced in 1985, published in collections
The Spanish Prisoner, New Theatre Company, Goodman Theatre, 1985
"Vint" (one-act; based on a story by Anton Chekhov) in Orchards, produced in Urbana, IL, 1985, then Acting Company, New York City, 1985, and Lucille Lortel Theatre, 1986, published in Orchards, Grove Press, 1986
The Shawl (one-act), New Theatre Company, Goodman Theatre, 1985, then Mitzi E. Newhouse Theatre, 1985, produced in a double-bill with Prairie du Chien, Mitzi E. Newhouse Theatre, New York City, 1985-1986, producedin London, 1986, published with Prairie du Chien, Grove Press, 1985,and in collections
(Adaptor) Anton Chekhov, The Cherry Orchard, New Theatre Company,Goodman Theatre, 1985, published by Grove Press, 1987
"Where Were You When It Went Down?" in Urban Blight (musical revue), music by David Shire, lyrics by Richard Maltby, Jr., Manhattan Theatre Club Stage I, City Center Theatre, New York City, 1988
Speed-the-Plow, Royale Theatre, New York City, 1988, later produced at the Richmond Theatre, Surrey, England, 2000, published by Grove Press, 1988, and in collections
"Bobby Gould in Hell" in Oh, Hell, Mitzi E. Newhouse Theatre, 1989, then London, 1991
Goldberg Street, produced in 1990, published as Goldberg Street: Short Plays and Monologues, Grove Press, 1989
(Adaptor and editor) Anton Chekhov, Uncle Vanya, produced at Goodman Theatre, 1990, published by Grove Press, 1989
Bradford, produced in 1990, published in collections
The Museum of Science and Industry Story, produced in 1990, published in collections
A Waitress in Yellowstone, produced in 1990, published in collections
A Wasted Weekend, produced in 1990, published in collections
We Will Take You There, produced in 1990, published in collections
(With Amlin Gray and Romulus Linney) An Evening of Mamet, Gray, and Linney, Milwaukee Repertory Theatre, Stiemke Theatre, Milwaukee, WI, 1991-1992
(Adaptor) Anton Chekhov, The Three Sisters, Atlantic Theatre, 1991, published as The Three Sisters: A Play, Samuel French, 1992
Oleanna, American Repertory Theatre, Hasty Pudding Theatre, Cambridge, MA, 1991-1992, then Orpheum Theatre, New York City, 1992-1994, later London, 1993, also other productions, published by Pantheon, 1992, and Dramatists Play Service, 1993
The Old Neighborhood (includes The Disappearance of the Jews, Jolly, and Deeny), produced in 1991, later by American Repertory Theatre, Booth Theatre, 1997-1998, later Royal Court Theatre Downstairs,London, published as The Old Neighborhood: Three Plays, Vintage, 1998
"A Speech for Michael Dukakis" in Vox Pop, Atlantic Theatre Company, 1992
The Cryptogram, produced in London, 1994, later C. Walsh Theatre,Boston, MA, 1995, then Westside Arts Theatre Upstairs, New York City, 1995, published by Dramatists Play Service, 1995, and by Vintage, 1995
"An Interview" (one-act) in Death-Defying Acts, Rich Forum, Stamford, CT, then Variety Arts Theatre, New York City, both 1995
Boston Marriage, American Repertory Theatre, Hasty Pudding Theatre, 1999, then Donmar Warehouse Theatre and New Ambassador's Theatre, both London, 2001
Dr. Faustus, Magic Theatre, San Francisco, CA, 2004
Additional plays and shorter dramatic pieces include Almost Done, Businessmen, Cold, Doctor, Dodge, Epilogue, Fish, The Hat, The Joke Code, L.A. Sketches, No One Will Be Immune, A Perfect Mermaid, A Scene: Australia, Steve McQueen, Sunday Afternoon, and Two Enthusiasts, all published by Dramatists Play Service; other plays include The Luftenmensch. Mamet's plays have also been widely produced in regional and repertory theatres throughout the United States and abroad.
Play Collections
American Buffalo, Sexual Perversity in Chicago, Duck Variations: ThreePlays, Eyre Methuen, 1978
Sexual Perversity in Chicago and Duck Variations: Two Plays, GrovePress, 1978
The Water Engine: An American Fable and Mr. Happiness: Two Plays,Grove Press, 1978
Reunion and Dark Pony: Two Plays, Grove Press, 1979
Short Plays and Monologues (includes All Men Are Whores: An Inquiry, The Blue Hour: City Sketches, In Old Vermont, Litko, Prairie du Chien, A Sermon, and Shoeshine), Dramatists Play Service, 1981
Reunion, Dark Pony, and The Sanctity of Marriage: Three Plays, Samuel French, 1982
A Collection of Dramatic Sketches and Monologues (includes Columbus Avenue, the radio play Cross Patch, The Dog, Film Crew, Five Unrelated Pieces, Food, 4 A.M., the radioplay Goldberg Street, In the Mall, Maple Sugaring, Morris and Joe, The Power Outage, Steve McQueen, Two Conversations, Two Scenes, Vermont Sketches, and Yes, but SoWhat), Samuel French, 1985
Three Children's Plays (contains The Frog Prince, The Poet and the Rent: A Play for Kids from Seven to 8:15, and The Revenge of the Space Pandas; or, Binky Rudich and the Two-Speed Clock), Grove Press, 1986
The Woods, Lakeboat, Edmond, Grove Press, 1987
Five Television Plays: A Waitress in Yellowstone; Bradford; The Museumof Science and Industry Story; A Wasted Weekend; and We Will Take You There, Grove Press, 1990
A Life with No Joy in It, and Other Plays and Pieces, Dramatists Play Service, 1994
No One Will Be Immune and Other Plays and Pieces, Dramatists PlayService, 1994
Plays: One (includes American Buffalo, Chronology, Duck Variations, Mr. Happiness, Sexual Perversity in Chicago, Squirrels, and The Water Engine), Methuen, 1994
Plays: Two (includes Dark Pony, Edmond, A Life inthe Theatre, Lakeboat, and Reunion), Methuen, 1996
Plays: Three (includes Glengarry Glen Ross, Prairie du Chien, The Shawl, and Speed-the-Plow), Methuen, 1996
The Old Neighborhood: Three Plays (contains Deeny, The Disappearance of the Jews, and Jolly), Vintage, 1998
Contributor of plays to books, including The Ensemble Studio Theatre Marathon '84, Broadway Play, 1985.
Screenplays
The Postman Always Rings Twice (based on the novel by James M. Cain), Paramount, 1981
The Verdict (based on the novel by Barry Reed), Columbia, 1982
(Uncredited) About Last Night (based on his play Sexual Perversity in Chicago), TriStar, 1986
(And story) House of Games, Orion, 1987, published by Grove Press,1987
The Untouchables (based on the television series of the same name), Paramount, 1987
(With Shel Silverstein) Things Change, Columbia, 1988, published by Grove Press, 1988
We're No Angels (based on an earlier film of the same name), Paramount, 1989, published by Grove Press, 1990
Homicide, Columbia, 1991, published by Grove Press, 1992
Glengarry Glen Ross (based on his stage play), New Line Cinema, 1992
Hoffa, Twentieth Century-Fox, 1992
(Uncredited) Additional dialogue, Rising Sun, Twentieth Century-Fox, 1993
Oleanna (based on his stage play), Samuel Goldwyn, 1994
Vanya on 42nd Street (based on the play Uncle Vanya by Anton Chekhov), Sony Pictures Classics, 1994
American Buffalo (based on his stage play), Samuel Goldwyn, 1996
(As Richard Weisz) The Edge, Twentieth Century-Fox, 1997
(With Hilary Henkin) Wag the Dog (based on the novel American Hero by Larry Beinhart), New Line Cinema, 1997
(With others) Author of rewrite, Lolita (based on the novel by Vladimir Nabokov), Samuel Goldwyn, 1997
The Spanish Prisoner (based on his stage play), Sony Pictures Classics, 1997, published with The Winslow Boy, Vintage Books, 1999
(As Weisz) Ronin, Metro-Goldwyn-Mayer/United Artists, 1998
The Winslow Boy (based on the play by Terence Rattigan), Sony Pictures Classics, 1999, published with The Spanish Prisoner, Vintage Books, 1999
State and Main (also known as Sequences et consequences), Fine Line, 2000
Hannibal (based on the novel by Thomas Harris), MCA/Universal, 2001
Heist (also known as Le vol), Warner Bros., 2001
Lakeboat (based on his stage play), Cowboy Booking International/Oregon Trail Films, 2001
Spartan, Warner Bros., 2004
Whistle (based on the novel by James Jones), 2005
Teleplays
Movies
"The Water Engine" (based on his stage play), TNT Screenworks, TNT, 1992
Lansky, HBO, 1999
Specials
"A Life in the Theatre" (based on his stage play), Great Performances, PBS, 1979
(Adaptor) Anton Chekhov, "Uncle Vanya," Great Performances, PBS, 1991
A Life in the Theatre (based on his stage play), TNT, 1993
(With others) The 74th Annual Academy Awards, ABC, 2002
Episodic
"A Wasted Weekend," Hill Street Blues, NBC, 1987
"Texan," Directed By, Showtime, 1994
Also wrote episodes of L.A. Law, NBC.
Radio Scripts
Specials
Prairie du Chien, National Public Radio, 1978
"The Water Engine: An American Fable" (two-act play), Earplay, National Public Radio, 1978
Cross Patch, WNUR-Radio, 1985, later produced on stage, New York City, 1990, published in A Collection of Dramatic Sketches and Monologues, Samuel French, 1985
Goldberg Street, WNUR-Radio, 1985, later produced on stage, New York City, 1990, published in A Collection of Dramatic Sketches and Monologues, Samuel French, 1985
Dintenfass, 1989, published by Dramatists Play Service
Novels
The Village, Little, Brown, 1994
The Old Religion: A Novel, Free Press, 1997
Wilson: A Consideration of the Sources, Faber & Faber, 2000
Essays
Writing in Restaurants (essays, speeches, and articles), Viking, 1986
Some Freaks, Viking, 1989
On Directing Film, Viking Penguin, 1992
A Whore's Profession: Notes and Essays (includes "The Cabin: Reminiscences and Diversions," "On Directing Film," "Some Freaks," and "Writing inRestaurants"), Faber & Faber, 1994
Make-Believe Town: Essays and Remembrances, Little, Brown, 1996
True and False: Heresy and Common Sense for the Actor, Pantheon, 1997
Jafsie and John Henry: Essays, Free Press, 1999
Writings for Children
Warm and Cold, illustrated by Donald Sultan, Solo Press, 1984
(With Lindsay Crouse) The Owl, Kipling Press, 1987
Passover, illustrated by Michael McCurdy, St. Martin's Press, 1995
The Duck and the Goat, illustrated by Maya Kennedy, St. Martin's Press, 1996
Bar Mitzvah, drawings by Donald Sultan, Little, Brown, 1999
Henrietta, illustrated by Elizabeth Dahlie, Houghton Mifflin, 1999
Poetry
The Hero Pony: Poems, Grove Weidenfeld, 1991
The Chinaman: Poems, Overlook Press, 1999
Songs
Contributor to Rebecca Pidgeon albums: wrote lyrics for the songs "The Penguin," "Primitive Man," "The Raven," and "Underground"; wrote spoken verse for the song "Auld Lang Syne"; with Rebecca Pidgeon, wrote lyrics for the songs "Heart and Mind," "The Height of Land," "The New York Girls' Club," "SevenHours," and "You Got Me"; with Shel Silverstein, wrote lyrics and music for the song "The Word around Town"; with Jonathan Katz, wrote the song "This Heart Is Closed for Alterations."
Nonfiction
(With Donald Sultan and Ricky Jay) Donald Sultan: Playing Cards, edited by Edit deAk, Kyoto Shoin, 1989
The Cabin: Reminiscences and Diversions, Random House, 1992
Three Uses of the Knife: On the Nature and Purpose of Drama, Columbia University Press, 1998
On Acting, Viking, 1999
David Mamet in Conversation, edited by Leslie Kane, University ofMichigan Press, 2001
South of the Northeast Kingdom, National Geographic Society, 2002
(With Lawrence Kushner) Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers, and Deuteronomy, Schocken, 2003
Author of the unpublished work The Jade Mountain. Creator of "Dammit, Mamet!" (cartoon), Boston, beginning 2000. Contributor to books, including Donald Sultan: In the Still-Life Tradition, University of Washington Press, 1999. Contributor of articles, poems, and reviews to periodicals, including Friday Review, G2, Guardian, Harper's, New Yorker, Playboy, and Premiere. Contributing editor, Oui, 1975-1976.

Further Reference

OTHER SOURCES

Books

Artists and Authors for Young Adults, Volumes 7-26, Gale, 1992
Bigsby, C. W. E., David Mamet, Methuen, 1985
Brewer, Gay, David Mamet and Film: Illusion/Disillusion in a Wounded Land, McFarland & Company, 1993
Carroll, Dennis, David Mamet, St. Martin's Press, 1987
Contemporary Dramatists, Sixth edition, St. James Press, 1999
Contemporary Literary Criticism, Gale, Volume 9, 1978; Volume 15,1980; Volume 34, 1985; Volume 46, 1988; Volume 91, 1996
Dean, Anne, David Mamet: Language as Dramatic Action, Fairleigh Dickinson University Press, 1990
Dictionary of Literary Biography, Volume 7: Twentieth-Century American Dramatists, Gale, 1981
Drama Criticism, Volume 4, Gale, 1994
Heilpern, John, How Good Is David Mamet, Anyway?: Writings on the Theater and Why It Matters, Routledge, 1999
Kane, Leslie, David Mamet's Glengarry Glen Ross: Text and Performance, Garland Publishing, 1996
Kane, Leslie, editor, David Mamet: A Casebook, Garland Publishing,1991
Kane, Leslie, Weasels and Wisemen: Education, Ethics, and Ethnicity inDavid Mamet, St. Martin's Press, 1999
St. James Encyclopedia of Popular Culture, St. James Press, 2000

Periodicals

America, May 15, 1993, p. 16
Chicago Tribune, October 11, 1987; May 4, 1988; February 19, 1989;December 10, 1989
Economist, January 31, 1998, pp. 85-86
Entertainment Weekly, June 5, 1998, pp. 18-19
Harper's, May, 1978, pp. 79, 83
Hollywood Reporter, November 11, 2000
Interview, April, 1998, p. 66
Los Angeles Times, November 27, 1979; June 25, 1984; July 7, 1987;October 11, 1987
Nation, May 19, 1979, p. 581; April 14, 1981; October 10, 1981; April 28, 1984, p. 522; June 27, 1987, p. 900
New Republic, July 12, 1982, p. 23; February 10, 1986, pp. 25, 28;April 24, 1995, p. 46
Newsweek, February 28, 1977, p. 79; March 23, 1981; November 8, 1982; December 6, 1982; April 9, 1984, p. 109; October 19, 1987
New York, December 20, 1982, pp. 62, 64; June 8, 1987, p. 68
New Yorker, November 10, 1975; October 31, 1977, p. 115; January 16, 1978, October 29, 1979, p. 81; June 15, 1981, November 7, 1983, June 29, 1987, p. 70; April 10, 1995, p. 33; June 3, 1996, pp. 48, 50-56, 58-61; November 17, 1997
New York Times, July 5, 1976; March 18, 1979; April 26, 1979; May26, 1979; June 3, 1979; October 19, 1979; March 20, 1981; May 29, 1981; June5, 1981; February 17, 1982; May 17, 1982; June 17, 1982; October 24, 1982; October 28, 1982, p. C20; December 8, 1982; May 13, 1983; October 9, 1983, pp.6, 19; November 6, 1983; March 26, 1984, p. C17; March 28, 1984; April 1, 1984; April 18, 1984; April 24, 1984; September 30, 1984; April 21, 1985; February 9, 1986; April 23, 1986; January 1, 1987; March 15, 1987; June 3, 1987; October 11, 1987; May 4, 1988; December 4, 1989
People Weekly, November 12, 1979; December 20, 1982; May 4, 1987
Playboy, April, 1995, pp. 51-60, 148-50
Saturday Review, April 2, 1977, p. 37
Telegraph Magazine, June 18, 1994, pp. 16-18, 20, 22
Tikkun, November/December, 1997, p. 10; March/April, 1999, p. 32
Time, July 12, 1976; April 9, 1984, p. 105
Times Magazine (Great Britain), January 24, 1998, pp. 14-21, 23
T2, April 13, 2004, pp. 14-15
Us, January 10, 1978
Village Voice, July, 1976, pp. 101, 103

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