Anne V. Coates Biography (1925-)

Born December 12, 1925, in Reigate, Surrey, England; daughter of Major Laurence Calvert and Kathleen Voase (maiden name, Rank) Coates; married Douglas Hickox (a director), April 24, 1958 (died, July 25, 1988); children: Anthony Laurence Voase Hickox (a director), James Douglas Rank Hickox (a director), EmmaElizabeth Hickox (an editor). Addresses: Agent: United Talent Agency,9560 Wilshire Blvd., Suite 500, Beverly Hills, CA 90212.; Contact: c/o 8455Fountain Ave., Apt. 621, Los Angeles, CA 90069.

Nationality
British
Gender
Female
Occupation
Film editor
Birth Details
December 12, 1925
Reigate, Surrey, United Kingdom

Famous Works

  • CREDITS
  • Film Work
  • Editor
  • The Pickwick Papers, Mayer/Kingsley, 1952
  • Wicked Wife (also known as Grand National Night), Allied Artists, 1953
  • Forbidden Cargo, General Films Distributors, 1954
  • To Paris with Love, Twentieth Century-Fox, 1954
  • Lost (also known as Tears for Simon), Republic, 1957
  • The Horse's Mouth, United Artists, 1958
  • The Truth about Women, Continental Distributing, 1958
  • Tunes of Glory, Lopert, 1960
  • Lawrence of Arabia, Columbia, 1962
  • Becket, Paramount, 1964
  • Why Bother to Knock (also known as Don't Bother to Knock),Seven Arts, 1964
  • (With Gordon Stone) Those Magnificent Men in Their Flying Machines(also known as Those Magnificent Men in Their Flying Machines; or, How IFlew from London to Paris in 25 Hours and 11 Minutes), Twentieth Century-Fox, 1965
  • Young Cassidy, Metro-Goldwyn-Mayer, 1965
  • Hotel Paradiso, Metro-Goldwyn-Mayer, 1966
  • The Bofors Gun, Universal, 1968
  • Great Catherine, Warner Bros., 1968
  • The Adventurers, Paramount, 1970
  • Friends, Paramount, 1971
  • Follow Me (also known as Follow Me! and The Public Eye), Universal, 1972
  • The Nelson Affair (also known as Bequest to the Nation), Universal, 1973
  • 11 Harrowhouse (also known as Anything for Love and FastFortune), Twentieth Century-Fox, 1974
  • Murder on the Orient Express, Paramount, 1974
  • Man Friday, Avco-Embassy, 1975
  • Aces High, EMI Films, 1977
  • The Eagle Has Landed, Columbia, 1977
  • The Medusa Touch, Warner Bros., 1978
  • The Legacy (also known as The Legacy of Maggie Walsh), Universal, 1979
  • The Elephant Man, Paramount, 1980
  • (With others) Ragtime, Paramount, 1981
  • The Pirates of Penzance (also known as The Slave of Duty),Universal, 1983
  • Greystoke: The Legend of Tarzan, Lord of the Apes, Warner Bros., 1984
  • Lady Jane, Paramount, 1985
  • Raw Deal (also known as Triple Identity), De Laurentiis Entertainment Group, 1986
  • Masters of the Universe, Cannon, 1987
  • (With C. Timothy O'Meara) Farewell to the King, Orion, 1989
  • Listen to Me, Columbia, 1989
  • I Love You to Death, TriStar, 1990
  • What about Bob?, Buena Vista, 1991
  • Chaplin (also known as Charlot), TriStar, 1992
  • (As Anne Coates-Hickox) In the Line of Fire, Columbia, 1993
  • Pontiac Moon, Paramount, 1994
  • Congo, Paramount, 1995
  • Striptease, Columbia, 1996
  • Out to Sea, Twentieth Century-Fox, 1997
  • Out of Sight, Universal, 1998
  • Passion of Mind, Paramount, 1999
  • Erin Brockovich, Universal, 2000
  • Sweet November, Warner Bros., 2001
  • Unfaithful, Twentieth Century-Fox, 2002
  • Other
  • (Editorial assistant) The Red Shoes, Eagle-Lion/Rank, 1948
  • (Editorial consultant for the film's 1989 restoration and reconstruction)Lawrence of Arabia, Columbia, 1962, restored version, Columbia, 1989
  • (Producer and supervising editor) The Medusa Touch (also known asLa grande menace), Warner Bros., 1978
  • (Editorial consultant) The Bushido Blade (also known as The Bloody Bushido Blade), Trident, 1982
  • Film Appearances
  • Herself, In & Out of Focus, The Cinema Guild, 2002
  • Television Work
  • Editor; Movies
  • A War of Children, 1972
  • Catholics (also known as Conflict), 1973
  • (Editorial consultant) Fail Safe, CBS, 2000

Further Reference

OTHER SOURCES

    Books
    • LoBrutto, Vincent, Selected Takes--Film Editors on Editing, Praeger (New York City), 1991
    • Oldham, Gabriella, First Cut--Conversations with Film Editors, University of California Press (Berkeley, CA), 1992