Lina Wertmueller Biography (1928-)

Born Arcangela Felice Assunta Wertmueller von Elgg Spanol von Braueich, August 14, 1928, in Rome, Italy; daughter of Federico (a lawyer) and Maria Santa Maria Wertmueller; married Enrico Job (a sculptor and set designer), 1968. Addresses: Office: Piazza Clotilde 5, 00196 Rome, Italy.

Nationality
Italian
Gender
Female
Occupation
Director, screenwriter
Birth Details
August 14, 1928
Rome, Italy

Famous Works

  • CREDITS
  • Film Director, Except Where Indicated
  • Assistant director, 8 1/2 (also known as Federico Fellini's8 1/2 and Otto e mezzo), Avco Embassy, 1963
  • I Basilischi (also known as The Lizards and The Basilisks), Connoisseur, 1963
  • Questa volta parliamo di uomini (also known as Let's Talk about Men, Now Let's Talk about Men, and This Time Let'sTalk about Men), Archimede, 1965
  • (As George Brown; musical numbers only) Rita la zanzara (also known as Rita the Mosquito), Mondial, 1966
  • Non stuzzicate la zanzara (also known as Don't Sting the Mosquito and Don't Tease the Mosquito), Mondial, 1967
  • Mimi metallurgico ferito nell'onore (also known as The Seduction of Mimi, Mimi the Metalworker, and Wounded in Honor),Vera, 1972
  • Film d'amore e d'anarchia (also known as Film of Love and Anarchy, Love and Anarchy, Film d'amore e d'anarchia, ovvero stamattina alle 10 in via dei Fiori nella nota casa di tolleranza, Film of Love and Anarchy, This Morning at 10 in the Via dei Fiori at the Well-known House of Tolerance, and D'Amore e d'anarchia), Peppercorn-Wormser, 1973
  • Tutto a posto e niente in ordine (also known as All Screwed Up, All in Place and Nothing in Order, and Everything's in Order but Nothing Works), New Line Cinema, 1974
  • Travolti da un insolito destino nell'azzurro mare d'agosto(also known as Swept Away and Swept Away ... by an Unusual Destinyin the Blue Sea of August), Cinema V, 1975
  • (And co-producer) Pasqualino settebellezze (also known as SevenBeauties and Pasqualino: Seven Beauties), Cinema V, 1976
  • The End of the World in Our Usual Bed in a Night Full of Rain (also known as La Fine del mondo nel nostro solito letto in una notte piena dipioggia and A Night Full of Rain), Warner Brothers, 1978
  • Fatto di sangue fra due uomini per causa di una vedova si sospettano (also known as Blood Feud and Revenge), Associated Film Distribution, 1979
  • E una domenica sera di novembre, 1981
  • Scherzo del destino in agguato dietro l'angolo come un brigante distrada (also known as A Joke of Destiny and A Joke of Destiny,Lying in Wait around the Corner Like a Street Bandit), Samuel Goldwyn, 1983
  • Sotto Sotto (also known as Softly, Softly), Columbia/Triumph, 1984
  • Un complicato intrigo di donne, vicoli e delitti \[also known as Camorra (A Story of Streets, Women, and Crime), Camorra: The NaplesConnection, and A Complex Plot about Women, Alleys and Crimes\], Cannon, 1986
  • Notte d'estate, con profilo greco, occhi a mandorla e odore di basilico (also known as Summer Night, with Greek Profile, Almond Eyes andScent of Basil), Medusa, 1986
  • In una notte di chiaro di luna (also known as As Long as It's Love, Clair, On a Moonlit Night, and Crystal or Ash,Fire or Wind, as Long as It's Love), 1989
  • Il Decimo clandestino (also known as The Tenth One in Hiding and To Save Nine), 1989
  • Sabato, domenica e lunedi (also known as Saturday, Sunday and Monday), 1990
  • Io speriamo che me la cavo (also known as Ciao, Professore!and Me Let's Hope I Make It), 1993
  • Ninfa plebea (also known as The Nymph), 1996
  • Metalmeccanico e parrucchiera in un turbine di sesso e di politica(also known as The Blue Collar Worker and the Hairdresser in a Whirl of Sex and Politics and The Worker and the Hairdresser), Medusa, 1996
  • Ferdinando e Carolina, Medusa, 1999
  • An Interesting State, 1999
  • Film Appearances
  • Un Amico magico: il maestro Nino Rota, 1999
  • Television Director
  • Il Giornalino di Gian Burasca (series; also known as Gian Burrasca's Diary), 1965
  • (As Nathan Wich) Il Mio corpo per un poker (movie; also known as The Belle Starr Story), 1967
  • Stage Director
  • L'Esibizionista, Teatro Nazionale, Rome, 1995
  • WRITINGS
  • Screenplays
  • Questa volta parliamo di uomini (also known as Let's Talk about Men, Now Let's Talk about Men, and This Time Let'sTalk about Men), Archimede, 1965
  • Non stuzzicate la zanzara (also known as Don't Sting the Mosquito and Don't Tease the Mosquito), Mondial, 1967
  • (With others) Les Chemins de Kathmandu, 1969
  • (With Ottavio Jemma, Marcello Costa, and Pasquale Festa Campanile) Quando le donne avevano la coda (also known as When Women Had Tails),Film Ventures, 1970
  • (With Sauro Scavolini, Gianfranco Calligarich, and Sergio Sollima) Citta violenta (also known as The Family and Violent City), International Co-Productions/EDP, 1970
  • Cari genitori (also known as Dear Parents), 1972
  • Mimi metallurgico ferito nell'onore (also known as The Seduction of Mimi, Mimi the Metalworker, and Wounded in Honor),Vera, 1972
  • (With Suso Cecchi d'Amico, Kenneth Ross, and Franco Zeffirelli) Brother Sun, Sister Moon (also known as Fratello sole, sorella luna), Paramount, 1973
  • Film d'amore e d'anarchia (also known as Film of Love and Anarchy, Love and Anarchy, Film d'amore e d'anarchia, ovvero stamattina alle 10 in via dei Fiori nella nota casa di tolleranza, Film of Love and Anarchy, This Morning at 10 in the Via dei Fiori at the Well-known House of Tolerance, and D'Amore e d'anarchia), Peppercorn-Wormser, 1973
  • Tutto a posto e niente in ordine (also known as All Screwed Up, All in Place and Nothing in Order, and Everything's in Order but Nothing Works), New Line Cinema, 1974
  • Travolti da un insolito destino nell'azzurro mare d'agosto(also known as Swept Away and Swept Away ... by an Unusual Destinyin the Blue Sea of August), Cinema V, 1975
  • Pasqualino settebellezze (also known as Seven Beauties andPasqualino: Seven Beauties), Cinema V, 1976
  • Which Way Is Up? (adaptation of Mimi metallurgico feritonell'onore), 1977
  • The End of the World in Our Usual Bed in a Night Full of Rain (also known as La Fine del mondo nel nostro solito letto in una notte piena dipioggia and A Night Full of Rain), Warner Brothers, 1978
  • Fatto di sangue fra due uomini per causa di una vedova si sospettano (also known as Blood Feud and Revenge), Associated Film Distribution, 1979
  • Scherzo del destino in agguato dietro l'angolo come un brigante distrada (also known as A Joke of Destiny and A Joke of Destiny,Lying in Wait around the Corner Like a Street Bandit), Samuel Goldwyn, 1983
  • Sotto Sotto (also known as Softly, Softly), Columbia/Triumph, 1984
  • Un complicato intrigo di donne, vicoli e delitti \[also known as Camorra (A Story of Streets, Women, and Crime), Camorra: The NaplesConnection, and A Complex Plot about Women, Alleys and Crimes\], Cannon, 1986
  • Notte d'estate, con profilo greco, occhi a mandorla e odore di basilico (also known as Summer Night, with Greek Profile, Almond Eyes andScent of Basil), Medusa, 1986
  • In una notte di chiaro di luna (also known as As Long as It's Love, Clair, On a Moonlit Night, and Crystal or Ash,Fire or Wind, as Long as It's Love), 1989
  • Io speriamo che me la cavo (also known as Ciao, Professore!and Me Let's Hope I Make It), 1993
  • Ninfa plebea (also known as The Nymph), 1996
  • Metalmeccanico e parrucchiera in un turbine di sesso e di politica(also known as The Blue Collar Worker and the Hairdresser in a Whirl of Sex and Politics and The Worker and the Hairdresser), Medusa, 1996
  • Ferdinando e Carolina, Medusa, 1999
  • Plays
  • Two and Two Are No Longer Four, 1968
  • Love and Magic in Mama's Kitchen, Spoleto, Italy, then La MamaExperimental Theatre Club, New York City, 1980
  • L'Esibizionista, Teatro Nazionale, Rome, 1995
  • Television Movies
  • (As Nathan Wich) Il Mio corpo per un poker (also known as The Belle Starr Story), 1967
  • Film Scores
  • (With Lello Greco) Notte d'estate, con profilo greco, occhi a mandorla e odore di basilico (also known as Summer Night, with Greek Profile, Almond Eyes and Scent of Basil), Medusa, 1986

Further Reference

OTHER SOURCES

    Periodicals:
    • Savvy, January, 1985, p. 86.