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Theatre, Film, and Television Biographies
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Louisa Burns-Bisogno to Jason Carter
William S. Burroughs Biography (1914-1997)
Full name, William Seward Burroughs (after his grandfather); born February 5,1914, in St. Louis, MO; died of complications from a heart attack, August 2,1997, in Lawrence, KS; son of Perry Mortimer (in business) and Laura (Lee) Burroughs; married Ilse Herzfeld Klapper, 1937 (divorced, 1946); married JoanVollmer Adams, January 17, 1946 (accidentally shot and killed by Burroughs, September, 1951); children: (second marriage) William Seward Burroughs, Jr. (deceased).
Born February 5, 1914, in St. Louis, MO; died following a heart attack, August 2, 1997, in Lawrence, KS. Artist and author. The grandson of the inventor of the adding machine, Burroughs defied his conventional, aristocratic upbringing to become one of the founding members of the Beat Generation of the 1950s, along with writers Jack Kerouac, Allen Ginsberg, and Herbert Huncke. The Beats took an unconventional approach to literature--which included writings onthe experimentation with drugs, sex, and petty crime-- and spawned the counterculture of the 1960s. Burroughs was the last surviving member of the original Beats and was known as "the big daddy of the Beats," according to a writerfor the London Times. He discarded his privileged upbringing to experience life among the lower fringes of society, showing Kerouac and Ginsberg around some of New York City's seedy areas. He led a nomadic life, living in such places as Mexico, Tangier, South America, Paris, London, and Texas, among others. While his written work was reviled by some as filth, he earned critical praise for controversial writings such as The Naked Lunch. Some critics viewed the work as a social commentary on the evils and soullessness of humanity, while others perceived it as "gibberish masquerading as social commentary," as noted in the Los Angeles Times. Burroughs also became popular in the pop culture of the 1990s as the Beat Movement was revived. He appeared in a video by the rock group U2, performed with rap artists Disposable Heroes of Hiphoprisy,and hung out with groups such as The Rolling Stones.
Burroughs was born in St. Louis, Missouri, in 1914. He was educated in ethnology, poetry, anthropology, and yoga at Harvard and studied medicine at ViennaUniversity. He served briefly in the U.S. Army during World War II, being discharged after only three months of service for physical reasons. Reportedly,his mother intervened to have him discharged. Following his service, he worked in a variety of jobs--bartender, pest controller, private detective, factory worker, etc. He also claimed to be on the fringe of crime. According to aNew York Times contributor: "He spent years experimenting with drugs as wellas with sex, which he engaged in with men, women and children." He describedhis drug use, particularly heroin, in The Naked Lunch: "I have smoked junk, eaten it, sniffed it, injected it in vein-skin-muscle, inserted it in rectal suppositories. The needle is not important." He once sold his typewriter to buy drugs. According to the Washington Post, after Burroughs kicked the heroinehabit with the help of a British doctor, he "end{ed} what he said were yearsof 'staring at the toe of my foot.'"
Burroughs was married twice. His first wife was a German-Jewish woman who fled the Nazis by marrying him and coming to the United States. The marriage wasended shortly thereafter. His second marriage to Joan Vollmer ended in controversy. While living in Mexico, he asked Vollmer to play a game of "William Tell" with him before friends in 1951. Although he was reportedly drunk at thetime, he suggested that Vollmer place a glass on her forehead so he could shoot it off like the legendary archer who could shoot an apple off of someone's head. Instead, Burroughs shot his wife through the forehead, killing her instantly. Mexican authorities ruled the shooting accidental. In his later years, he lived with his longtime companion James Grauerholz.
Burroughs wrote of his drug experiences in the 1953 book Junkie: Confessionsof an Unredeemed Drug Addict. The work was issued under the name William Lee.In 1959 he published The Naked Lunch, which was allegedly titled "Naked Lust" in manuscript stage, until Ginsberg misread Burroughs's handwriting and thought the title was "Naked Lunch." The book, according to a Los Angeles Timeswriter, was "written in a stream of consciousness style, and the prose is meant to repel, even nauseate, the reader with descriptions of bodily functions,sex acts and grotesque medical procedures." The work became the subject of alengthy court battle regarding obscenity in the United States, and was ultimately published by Grove Press in 1962. Burroughs continued with The Soft Machine and The Ticket That Exploded.
Burroughs also received notice for his writings that employed the "cut up" method--he intertwined his prose with that of other writers, cutting up the manuscript and reassembling it at will. Among his "cut up" books are Minutes toGo, written with Sinclair Beiles, Gregory Corso, and Brion Gysin, and The Exterminator, also written with Gysin. He also penned screenplays, including TheLast Words of Dutch Schultz. He appeared in films as well, such as Twister and Drug Store Cowboy. In his later years, Burroughs wrote what critics consider to be more conventional books, including The Western Lands and The Place of Dead Roads. He also collaborated on The Black Rider, a comic opera that featured the music of Tom Waits and Burroughs' libretto. He also appeared on Saturday Night Live, where he read from The Naked Lunch, and he made numerous recordings, including Spare Ass Annie in 1993.
Burroughs also lent his creative energies to art, putting together pieces that were bought by many of his admirers, including the late Nirvana singer KurtCobain. His art was featured in a show in Chicago in 1988 and in Los Angelesin 1996. He also was concerned with animal rights, the rain forest, and other environmental issues.
- Gender
- Male
- Occupation
- writer, actor
- Birth Details
- February 5, 1914
- St. Louis, Missouri, United States
- Death Details
- August 2, 1997
- Lawrence, Kansas, United States
Famous Works
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Credits;Stage Appearances
- Has given more than one hundred-sixty public readings from his works in Europe and the United States, 1965-89.
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Credits; Film Appearances
- Bill and Tony (short film), 1962.
- Towers Open Fire (short film), 1963.
- The Cut-Ups (short film), 1965.
- Opium Jones, Chappaqua, Regional, 1967.
- Himself, Prologue, Vaudeo, 1970.
- Himself, Underground and Emigrants, 1976.
- Energy Czar, Energy and How to Get It, 1981.
- Himself, Poetry in Motion, 1982.
- Fried Shoes, Cooked Diamonds, Naropa Institute, 1982.
- Kerouac, 1983.
- Himself, Burroughs, 1983.
- Himself, This Song for Jack, 1983.
- Old man, Decoder, 1984.
- Himself, What Happened to Kerouac?, 1985.
- Mafia Don, It Don't Pay to Be an Honest Man (also known as It Don't Pay to Be an Honest Citizen), Object, 1985.
- Himself, Home of the Brave (also known as Laurie Anderson's "Home of theBrave"), Cinecom, 1986.
- Himself, William S. Burroughs: Commissioner of Sewers, 1986.
- Himself, The Beat Generation--An American Dream, 1987.
- Butler, Bloodhounds of Broadway, Columbia, 1989.
- Himself, Heavy Petting, Academy Entertainment, 1989.
- Rub Out the Word, 1989.
- Tom the priest, Drugstore Cowboy, Avenue, 1989.
- Man in barn, Twister, Vestron, 1989.
- A Thanksgiving Prayer, Island, 1990.
- Himself, Naked Making Lunch (documentary), 1992.
- James (Hive) Maker, Wax, or the Discovery of Television among the Bees, First Run Features, 1992.
- Himself, The Life and Times of Allen Ginsberg, First Run Features, 1993.
- Himself, Even Cowgirls Get the Blues, Fine Line, 1993.
- Himself, Glitterbug, Basilisk Communications, 1993.
- Narrator, A Junky's Christmas (also known as Disposable Heroes "A Junky Christmas"), 1994.
- Narrator, Ah Pook Is Here, Der Kurzfilm Verleih, 1994.
- Also appeared in Ghosts at No. 9.
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Credits; Film Work
- (With Brion Gysin and Allen Ginsberg) Bill and Tony, 1962.
- Director (with Gysin), Towers Open Fire (short film), 1963.
- (With Gysin and Ginsberg) The Cut-Ups, 1965.
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Credits; Television Appearances; Episodic
- Saturday Night Live, NBC, 1981.
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Credits; Other Television Appearances
- A Thanksgiving Prayer, USA Network, 1990.
- "The Music of Kurt Weill: September Songs" (special; also known as "The Unauthorized Kurt Weill: Don't Be Afraid"), Great Performances, PBS, 1995.
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Credits;Albums
- Call Me Burroughs, Gait Froge (Paris), 1965, released in United States under same title by ESP (New York City), c. 1968.
- (Excerpt from Nova Express) Klacto/23, Klactoveedsedsteen (Frankfurt, Germany), 1967.
- "Love Song for Zelda," Obsolete, by Dashiell Hedayat, Shandar (Paris), 1971, reissued as Mantra, Paris, 1990s.
- Ali's Smile, Unicorn (Brighton), 1971.
- OU Revuedisque 40-41, Ingatestone, 1972.
- OU Revuedisque 42-43-44, Ingatestone, 1973.
- "She's Gone," Triple Echo, by Soft Machine, 1977.
- (With others) The Nova Convention, Volume 1 and 2, Giorno Poetry Systems,1979.
- Nothing Here Now but the Recordings, Industrial, 1981.
- (With Laurie Anderson and John Giorno) You're the Guy I Want to Share MyMoney With, Giorno Poetry Systems, 1981.
- "Twilight's Last Gleaming," Fruit of the Original Sin, Disques du Crepuscule, 1981.
- "Old Man Bickford," You're a Hook--15th Anniversary of Dial a Poem, Giorno Poetry Systems, 1983.
- (With others) Better an Old Demon Than a New God, Giorno Poetry Systems,1983.
- "The Five Steps," Myths: Instructions 1 (also known as The Myths Collection Part One), Sub Rosa (Belgium), 1984.
- "Sharkey's Night," Mister Heartbreak, by Laurie Anderson, Warner Bros., 1984.
- (With others) The Industrial Records Story, Illuminated Records Jams 39,1984.
- (With others) A Diamond Hidden in the Mouth of a Corpse, Giorno Poetry Systems, 1985.
- The Doctor Is on the Market, Les Temps Modernes Recordings, 1986.
- Break Through in Grey Room, Sub Rosa, 1987.
- "Burroughs Called the Law," The Myths Collection, Part Two, Sub Rosa, c.1987.
- (With others) Smack My Crack, Gorno Poetry Systems, 1987.
- (With others) Minutes LTM V:XV, Les Temps Modernes, 1987.
- (With others) Minutes to Go!, Interior Music, 1987.
- Uncommon Quotes, Caravan of Dreams, 1988.
- (With others) Like a Girl, I Want You to Keep Coming, Giorno Poetry Systems, 1989.
- A Thanksgiving Prayer, Island, 1990.
- Dead City Radio, Island, 1990.
- (With Gus van Sant, Jr.) William S. Burroughs: The Elvis of Letters, T.K./Takoma Records, 1991.
- "Just One Fix" and "Quick Fix," Just One Fix, by Ministry, Sire/Warner Bros., 1992.
- "Poisonous," Burning in Water, Drowning in Flame, by Skrew, MetalBlade, 1992.
- Vaudeville Voices, Grey Matter, 1992.
- Spare Ass Annie and Other Tales, Island, 1993.
- The Operator's Manual, Island, 1993.
- Recorded the single "The 'Priest' They Called Him" with Kurt Cobain, TimKerr Records. Other recordings include "William S.
- Burroughs/John Giorno," 1975; "Abandoned Artifacts b/w on the Nova Lark,"1981; "Revolutions per Minute (The Art Record)," 1982; "Mister Heartbreak,"1984; "Break Through in Grey Room," 1986; and "Seven Souls," 1990.
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Writings;Stage
- Naked Lunch (based on Burroughs's book of the same title), New York Shakespeare Festival, Public Theatre, New York City, 1974.
- The Last Words of Dutch Schultz, Prop Theatre, Chicago, 1988.
- The Junky's Christmas, Prop Theatre, 1990.
- (Author of libretto) The Black Rider, music by Robert Wilson with songs by Tom Waits, Thalia Theatre, Hamburg, Germany, 1990, then Brooklyn Academy ofMusic/Opera House, New York City, 1993.
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Writings; Screen
- (With Antony Balch) Bill and Tony (short film), 1962.
- (With Brion Gysin) Towers Open Fire (short film), 1963.
- (With Tom Huckabee and Paul Cullum) Taking Tiger Mountain, The Players Chess Club, 1983.
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Writings; Other
- (As William Lee) Junkie: Confessions of an Unredeemed Drug Addict (boundwith Narcotic Agent, by Maurice Helbrant; also known as Junkie), Ace (New York City), 1953, published under William S.
- Burroughs, Ace, 1964, published as Junky (unexpurgated), Penguin (New York City), 1977.
- The Naked Lunch, Olympia Press (Paris), 1959, reprinted as Naked Lunch, Grove (New York City), 1962.
- (With Gregory Corso, Sinclair Beiles, and Brion Gysin) Minutes to Go, TwoCities (Paris), 1960, Beach Books (San Francisco, CA), 1968.
- (With Brion Gysin) The Exterminator (poems), Auerhahn (San Francisco, CA), 1960.
- (Contributor) A Casebook on the Beat, Crowell (New York City), 1961.
- The Soft Machine, Olympia Press, 1962, revision Grove, 1966, second revision Calder (London), 1965.
- The Ticket That Exploded, Olympia Press, 1962, revision Grove, 1967.
- Dead Fingers Talk, Calder, 1963.
- (With Ginsberg) The Yage Letters, City Lights (San Francisco), 1963.
- Nova Express, Grove, 1964.
- Roosevelt after Inauguration and Other Atrocities, F--- You Press (New York City), 1964.
- Time (poems), illustrated by Gysin, C-Press (New York City), 1965.
- (With Lee Harwood) Darazt, Lovebooks, 1965.
- The White Subway, Aloes Books (London), 1965.
- Valentine's Day Reading, American Theatre of Poets (New York City), 1965.
- Health Bulletin APO-33: A Metabolic Regulator, F--- You Press, 1965, published as APO-33: A Report on the Synthesis of the Apomorphine Formula, BeachBooks, 1966.
- (With Claude Pelieu and Carl Weissner) So Who Owns Death TV?, Beach Books, 1967.
- They Do Not Always Remember, Delacorte (New York City), 1968.
- (Author of preface) Jeff Nuttall, Pig, Fulcrum Press, 1969.
- The Dead Star, Nova Broadcast Press (San Francisco), 1969.
- (With Daniel Odier) Entretiens avec William Burroughs, Editions Pierre Belfond (Paris), 1969, revised and enlarged edition published as The Job: Interviews with William S. Burroughs, Grove, 1970, 2nd revised and enlarged edition, 1974.
- The Last Words of Dutch Schultz, Cape Goliard Press (London), 1970, expanded edition published as The Last Words of Dutch Schultz:A Fiction in the Form of a Film Script, Viking (New York City), 1975.
- (With Gysin) The Third Mind (poems), Grove, 1970.
- (With Weissner) The Braille Film, Nova Broadcast Press, 1970.
- Ali's Smile, Unicorn Books (Brighton, England), 1971.
- (Afterword) Speed, by William S. Burroughs, Jr., Olympia Press, 1971.
- Electronic Revolution and Other Writings, Blackmoor Head Press (Cambridge, England), 1971, published as Electronic Revolution, 1970-71, cover and drawings by Gysin, Chopin (London), 1971.
- The Wild Boys: A Book of the Dead, Grove, 1971.
- (With Pelieu) Jack Kerouac (in French), L'Herne (Paris), 1971.
- (Afterword) Kentucky Ham, by William S. Burroughs, Jr., E. P.
- Dutton (New York City), 1973.
- (With Gysin and Ian Sommerville) Brion Gysin Let the Mice In, Something Else Press (West Glover, VT), 1973.
- Mayfair Academy Series More or Less, Urgency Press Rip-Off (Brighton), 1973.
- Exterminator! (novel), Viking/Richard Seaver (New York City), 1974.
- The Book of Breeething, OU Press (Ingatestone, England), 1974, Blue Wind(Berkeley, CA), 1975, 2nd edition, 1980, reprinted in Ah Pook Is Here, Calder, 1978.
- Port of Saints, Covent Garden Press (London), 1975, Blue Wind, 1980.
- (With Charles Gatewood) Sidetripping, Strawberry Hill (New York City), 1975.
- (With Eric Mottram) Snack: Two Tape Transcripts, Aloes Books, 1975.
- Cobblestone Gardens, Cherry Valley Editions (Cherry Valley, NY), 1976.
- (With Gysin) Colloque de Tanger (conference papers), Christian Bourgois (Paris), 1976.
- The Retreat Diaries, City Moon (New York City), 1976.
- Oeuvre Croise's, Flammarion (Paris), 1977.
- Naked Scientology, Expanded Media Productions (Bonn, West Germany), 1978.
- Letters to Allen Ginsberg, 1953-1957 = Lettres a Allen Ginsberg, 1953-1957 (French and English), Am Here Books (Geneva), 1978, published in United States as Letters to Allen Ginsberg, 1953-1957, Full Court Press, 1981.
- Short Novels, 1978.
- (With Gysin and Gerard-Georges Lemaire) Colloque de Tanger, Vol. 2 (conference papers), Christian Bourgois, 1979.
- Doctor Benway: A Variant Passage from "The Naked Lunch," Bradford Morrow(Santa Barbara, CA), 1979.
- Roosevelt after Inauguration and Other Atrocities, City Lights, 1979.
- Ah Pook Is Here, and Other Texts, Calder, 1979.
- Blade Runner: A Movie, Blue Wind, 1979.
- Early Routines, Cadmus Editions (Santa Barbara), 1981.
- With William Burroughs: A Report from the Bunker, edited by Victor Bockris, Seaver Books (New York City), 1981.
- Cities of the Red Night, Holt Rhinehart (New York City), 1981.
- A William Burroughs Reader, Picador (London), 1982.
- (Introduction) Here To Go: Planet R-101, Brion Gysin interview, Re/SearchPublications (San Francisco), 1982.
- Mummies, etchings by Carl Apfelschnitt, Gunnar A. Kaldewey (New York City), 1982.
- (Contributor) Roger Ely, editor, The Final Academy: Statements of a Kind,Final Academy, 1982.
- The Place of Dead Roads, Holt Rhinehart, 1984.
- Four Horsemen of the Apocalypse (German and English; also known as Die Vier Apokalyptischen Reiter), illustrations by Christof Kohlhofer, Expanded Media Editions (Bonn, Germany), 1984.
- The Burroughs File (includes The White Subway, Cobblestone Gardens, and The Retreat Diaries), City Lights, 1984.
- Ruski, Hand Job Press (Brooklyn, NY), 1984.
- Queer, Viking, 1985.
- The Adding Machine: Collected Essays, Calder, 1985, Seaver, 1986.
- The Cat Inside, drawings by Gysin, Greenville (New York City), 1986.
- The Western Lands, Viking, 1987.
- (With an interview) The Soft Machine, Nova Express, The Wild Boys: ThreeNovels, Grove, 1988.
- Tornado Alley, Cherry Valley, 1988.
- (With Keith Haring) Apocalypse (art), George Mulder Fine Arts (New York City), 1988.
- William Burroughs: An Interview, interviewed by Larry McCaffery and Jim McMenamin, Northouse and Northouse (Dallas, TX), 1988.
- Interzone, edited by James Grauerholz, Viking, 1989.
- William S. Burroughs: Paintings (art), text by James W. Grauerholz, Galerie Carzaniga + Ueker (Basel, Switzerland), 1989.
- Ghost of Chance, Whitney Museum (New York City), 1991.
- (With others) Conspiracy Charges, Red Bass Publications (New York City),1991.
- The Letters of William S. Burroughs, 1945-1959, edited and with an introduction by Oliver Harris, Viking, 1993.
- (Introduction and afterword) Speed and Kentucky Ham: Two Novels, by William S. Burroughs, Jr., 1993.
- Seven Deadly Sins, Lococo-Mulder Fine Arts (Los Angeles, CA), 1994.
- My Education: A Book of Dreams, Viking, 1995.
- (Afterword) Ports of Entry: William S. Burroughs and the Arts, by RobertA. Sobieszek, Los Angles County Museum of Art (Los Angeles, CA), 1996.
- Also author of (with Jack Kerouac) "And the Hippos Were Boiled in Their Tanks," an unpublished novel, 1944; Takis, an exhibition catalog, 1963; and (with Pelieu and Weissner) of Fernseh- Tuberkulose, 1969. Also composer of song, "Old Lady Sloan," recorded by Mortal Micronotz, 1982. Contributor to periodicals, including Semina (1988-92), Evergreen Review, and Harper's.
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Other Works
- Adaptations: The film The Discipline of D. E., released in 1978, was based on a short story by Burroughs. The film Taking Tiger Mountain, released in1983, is loosely based on the short work Blade Runner. Paul Stephen Lim adapted Queer in his stage production, Lee and the Boys in the Backroom, producedat Lawrence Community Theatre, Lawrence, KS, 1987. The screenplay Naked Lunch, released in 1991, was adapted from Burroughs's book of the same title. TheLast Words of Dutch Schultz has been optioned for film production.
Recent Updates
March 1, 2006: The New York Public Library purchased the Burroughs's archive for its Henry W. and Albert A. Berg Collection of English and AmericanLiterature, which also includes Jack Kerouac's literary and personal archive. Source:
New York Times, www.nytimes.com, March 1, 2006.
Further Reference
Books:
- Contemporary Theatre, Film and Television, Volume 10, Gale, 1991.
- Who's Who in the World, Marquis, 1996.
Periodicals:
- Chicago Tribune (electronic), August 4, 1997.
- CNN Interactive (electronic), August 2, 1997.
- Detroit News, August 3, 1997, p. A11.
- Los Angeles Times, August 3, 1997, p. A1.
- New York Times, August 4, 1997, p. B5; August 10, 1997, sec. 4, p.
- 7.
- Times (London; electronic), August 4, 1997.
- Washington Post, August 4, 1997, p. B4.
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