Warrington Hudlin Biography (1953-)

Full name, Warrington W. Hudlin, Jr.; born 1953, in East St. Louis, IL; son of Warrington Sr. (a schoolteacher and insurance executive) and Helen (a teacher; maiden name, Cason) Hudlin; brother of Reginald Hudlin (an actor, director, writer, and producer). Addresses: Office: Black Filmmakers Foundation, 375 Greenwich St., New York, NY 10013-2338; Hudlin Bros. Productions, Tribeca Film Center, 375 Greenwich St., New York, NY 10013-2376.

Nationality
American
Gender
Male
Occupation
Director, producer, writer, actor
Birth Details
1953
East St. Louis, Illinois, United States

Famous Works

  • CREDITS
  • Film Work
  • Producer and director, Black at Yale: A Film Diary (documentary),1974
  • Producer and director, Street Corner Stories, 1977
  • Producer and director, The Capoeira of Brazil (documentary), 1980
  • Producer, House Party, New Line Cinema, 1990
  • Producer, Boomerang, Paramount, 1992
  • (With Reginald Hudlin) Executive producer, Bebe's Kids (animated;also known as Robin Harris' Bebe's Kids), Paramount, 1992
  • Producer, Ride, Miramax, 1998
  • Associate producer, Corporate Dawgz, DV Republic, 2002
  • Film Appearances
  • Second crook, House Party, New Line Cinema, 1990
  • Street hustler, Boomerang, Paramount, 1992
  • Reporter #2, Posse, PolyGram Filmed Entertainment, 1993
  • Television Work
  • Specials
  • Producer and director, Color, 1983
  • Director and executive producer, "The First Commandment," Cosmic Slop, HBO, 1994
  • Pilots
  • Executive producer, The Last Days of Russell, ABC, 1995
  • Television Appearances
  • Specials
  • Himself, Acapulco Black Film Festival, Starz!, 2000
  • Episodic
  • Guest, Dialogue with Black Filmmakers, Black Entertainment Television, 1992
  • WRITINGS
  • Television Specials
  • "The First Commandment," Cosmic Slop, HBO, 1994

Further Reference

OTHER SOURCES

    Books
    • Contemporary Black Biography, Volume 9, Gale Research, 1995
    Periodicals
    • Black Enterprise, February, 2001, p. 207
    • Essence, February, 1990, p. 40
    • Film Comment, May/June, 1990, p. 65