Dennis Parichy Biography ((?)-)

Gender
Male

Famous Works

  • Credits; STAGE WORK; LIGHTING DESIGNER
  • Trainer, Dean, Liepolt, and Company, American Place Theatre, New York City, 1968.
  • War Games, Fortune Theatre, New York City, 1969.
  • The Transgressor Rides Again, Martinique Theatre, New York City, 1969.
  • Boy on the Straight-Back Chair, American Place Theatre, St. Clement's Church Theatre, New York City, 1969.
  • The Shepherd of Avenue B and Steal the Old Man's Bundle (double-bill) andThe Jumping Fool, all Fortune Theatre, 1970.
  • Come Back, Little Sheba, Queens Playhouse, Queens, NY, 1974.
  • The Persians, Him, and Battle of Angels, all Circle Repertory Theatre, New York City, 1974.
  • The Mound Builders, Harry Outside, The Elephant in the House, Not to Worry, and Dancing for the Kaiser, all Circle Repertory Theatre, 1975.
  • Serenading Louie, A Tribute to Lili Lamont, and The Farm, all Circle Repertory Theatre, 1976.
  • Knock Knock, Circle Repertory Theatre, then Biltmore Theatre, New York City, both 1976.
  • The Wise Woman and the King, Manhattan Theatre Club, New York City, 1976.
  • My Life, Exiles, and Feedlot, all Circle Repertory Theatre, 1977.
  • Ashes, Manhattan Theatre Club, then Public Theatre, New York City, both 1977.
  • In the Summer House, The Last Street Play, and Chez Nous, all Manhattan Theatre Club, 1977.
  • Ulysses in Traction, Glorious Morning, and In the Recovery Lounge, all Circle Repertory Theatre, 1978.
  • Statements After an Arrest Under the Immorality Act, Scenes from Soweto,Rib Cage, Strawberry Fields, and The Rear Column, all Manhattan Theatre Club,1978.
  • Catsplay, Manhattan Theatre Club, then Promenade Theatre, New York City,both 1978.
  • The Water Engine and Mr. Happiness (double-bill), Plymouth Theatre, New York City, both 1978.
  • Gimme Shelter, Brooklyn Academy of Music, Lepercq Space, Brooklyn, NY, 1978.
  • The Best Little Whorehouse in Texas, Entermedia Theatre, then 46th StreetTheatre, both New York City, 1978.
  • Grand Magic and Don Juan Comes Back from the War, both Manhattan TheatreClub, 1979.
  • My Sister's Keeper, Hudson Guild Theatre, New York City, 1979.
  • Devour the Snow, Hudson Guild Theatre, then John Golden Theatre, New YorkCity, both 1979.
  • The Runner Stumbles, The Human Voice, Winter Signs, Reunion, Hamlet, andMary Stuart, all Circle Repertory Theatre, 1979.
  • Tunnel Fever, or the Sheep Is Out, American Place Theatre, 1979.
  • Chinchilla, Phoenix Theatre, Marymount Manhattan Theatre, New York City,1979.
  • Talley's Folly, Circle Repertory Theatre, then Center Theatre Group, MarkTaper Forum, Los Angeles, both 1979, later Brooks Atkinson Theatre, New YorkCity, 1980.
  • Fifth of July, Center Theatre Group, Mark Taper Forum, 1979, then New Apollo Theatre, New York City, 1980.
  • The Woolgatherer and Innocent Thoughts, Harmless Intentions, both CircleRepertory Theatre, 1980.
  • Banjo Dancing, Century Theatre, New York City, 1980.
  • The Trouble with Europe, Phoenix Theatre, Marymount Manhattan Theatre, 1980.
  • American Days and One Wedding, Two Rooms, Three Friends, both Manhattan Theatre Club, 1980.
  • Come Back to the 5 and Dime, Jimmy Dean, Jimmy Dean and Summer, both Hudson Guild Theatre, 1980.
  • The White Devil, American Place Theatre, 1980.
  • Look Back in Anger, Roundabout Theatre, New York City, 1980.
  • Crimes of the Heart, Manhattan Theatre Club, 1980, then John Golden Theatre, 1981.
  • Duet for One, Royale Theatre, New York City, 1981.
  • Hedda Gabler, Roundabout Theatre, 1981.
  • Twelfth Night, The Beaver Coat, In Connecticut, Childe Byron, A Tale Told, and The Diviners, all Circle Repertory Theatre, 1981.
  • Close of Play, Manhattan Theatre Club, 1981.
  • Il Campiello: A Venetian Comedy, Waiting for Godot, and A Midsummer Night's Dream, all Public Theatre, 1981.
  • The Best Little Whorehouse in Texas, Eugene O'Neill Theatre, New York City, 1982.
  • Skirmishes, Manhattan Theatre Club, 1982.
  • Lennon and Richard II, both Entermedia Theatre, 1982.
  • Snow Orchid and A Think Piece, both Circle Repertory Theatre, 1982.
  • Angels Fall, Circle Repertory Theatre, 1982, then Longacre Theatre, New York City, 1983.
  • The Curse of an Aching Heart, Little Theatre, New York City, 1982.
  • The Country Wife, American Place Theatre, 1982.
  • Elba and Early Warnings, both Manhattan Theatre Club, 1983.
  • Domestic Issues, Circle Repertory Theatre, 1983.
  • The Seagull, Circle Repertory Company, American Place Theatre, 1983.
  • The Cradle Will Rock, American Place Theatre, then Douglas Fairbanks Theatre, New York City, both 1983.
  • Pericles, American Place Theatre, 1983.
  • A Raisin in the Sun, Goodman Theatre, Chicago, IL, 1983.
  • Levitation and Love's Labour's Lost, both Circle Repertory Theatre, 1984.
  • The Miss Firecracker Contest, Manhattan Theatre Club, then Westside ArtsCenter/Cheryl Crawford Theatre, both 1984.
  • Criminal Minds, Theatre Guinevere, New York City, 1984.
  • As You Like It and Passion Play, both Seattle Repertory Theatre, Seattle,WA, 1984.
  • In Celebration, Manhattan Theatre Club, the Space at City Center Theatre,New York City, 1984.
  • After the Fall, Playhouse 91, New York City, 1984.
  • Dysan, Angelo's Wedding, Talley and Son, and Tomorrow's Monday, all Circle Repertory Theatre, 1985.
  • Dancing in the End Zone, Ritz Theatre, New York City, 1985.
  • As Is, Circle Repertory Theatre, then Lyceum Theatre, New York City, both1985.
  • Penn and Teller, Westside Arts Theatre, New York City, 1985.
  • A New Way to Pay Old Debts, As You Like It, and The Skin of Our Teeth, all Marymount Manhattan Theatre, 1985.
  • An Enemy of the People, Roundabout Theatre, 1985.
  • Glengarry Glen Ross, Syracuse Stage, Syracuse, NY, 1985.
  • A View from the Bridge, Studio Arena Theatre, Buffalo, NY, then Capital Repertory Company Theatre, Albany, NY, later Syracuse Stage, all 1986.
  • Burn This!, Center Theatre Group, Mark Taper Forum, 1986, then Plymouth Theatre, 1987-88.
  • All My Sons and Pancho Forum: Endgame, both Seattle Repertory Theatre, 1985-86.
  • The Beach House, Circle Repertory Theatre, 1986.
  • Picnic, Center Theatre Group, Ahmanson Theatre, Los Angeles, 1986.
  • Caligula, The Mound Builders, and Quiet in the Land, all Triplex Theatre,New York City, 1986.
  • Ten By Tennessee, Acting Company, Lucille Lortel Theatre, New York City,1986.
  • Bloody Poetry, Manhattan Theatre Club, 1986-87.
  • The Lucky Spot, Manhattan Theatre Club, 1987.
  • Coastal Disturbances Second Stage Theatre, New York City, 1987.
  • The Nerd, Helen Hayes Theatre, New York City, 1987.
  • A Shayna Maidel, Westside Arts Theatre, 1987.
  • Hedda Gabler, Studio Arena Theatre, 1987.
  • Born Yesterday, Philadelphia Drama Guild, Philadelphia, PA, 1987.
  • El Salvador and Only You, both Circle Repertory Theatre, 1987-88.
  • Summer and Smoke, Center Theatre Group, Ahmanson Theatre, 1988.
  • The Road to Mecca, Promenade Theatre, 1988.
  • The Big Love, New Directors Series, New York Theatre Workshop, New York City, 1988.
  • Cave Life, Borderlines, and V and V Only, all Circle Repertory Theatre, 1988.
  • Sleuth, Circle Repertory Theatre, then Center Theatre Group, Ahmanson Theatre, both 1988.
  • The Film Society, Second Stage Theatre, 1988.
  • Men Should Weep, Studio Arena Theatre, 1988.
  • Eastern Standard, Manhattan Theatre Club, 1988.
  • Amulets Against the Dragon Forces, Beside Herself, Florida Crackers, andSunshine, all Circle Repertory Theatre, 1989.
  • Approaching Zanzibar, Second Stage Theatre, 1989.
  • My Children! My Africa!, Perry Street Theatre, New York City, 1989.
  • The Tempest, Roundabout Theatre, 1989.
  • The Tenth Man, Vivian Beaumont Theatre, New York City, 1989.
  • Also lighting designer for Who's Afraid of Virginia Woolf?, Circle Repertory Theatre; South Pacific, Minnesota Opera; The Cradle Will Rock, London production.
  • Credits; MAJOR TOURS; LIGHTING DESIGNER
  • Crimes of the Heart, U.S. cities, 1983-84.
  • Kabuki Macbeth, Acting Company, U.S. cities, 1988.
  • Also Fool for Love, Japanese cities.