Jocelyn Herbert Biography (1917-)

Born February 22, 1917, in London, England; daughter of Alan Patrick and Gwendolen Harriet (Macnalty) Herbert; married Anthony B. Lousada (divorced). Addresses: HOME--45 Pottery Lane, London W11, England.

Nationality
English
Gender
Female
Birth Details
February 22, 1917
London, England

Famous Works

  • Credits
  • FIRST LONDON WORK--Designer, The Chairs, English Stage Company, Royal Court Theatre, 1957.
  • Credits; PRINCIPAL STAGE WORK; DESIGNER
  • Richard III, Stratford-on-Avon, U.K., 1961.
  • Othello, National Theatre, London, 1964.
  • Mother Courage, National Theatre, 1965.
  • Inadmissible Evidence, Belasco Theatre, New York City, 1965.
  • Ghosts, Aldwych Theatre, London, 1965.
  • Orpheus and Euridice, Sadler's Wells Theatre, London, 1966.
  • Hamlet, Roundhouse Theatre, London, then Lunt-Fontanne Theatre, New YorkCity, both 1969.
  • Beckett 3, Theatre Upstairs, London, 1970.
  • A Woman Killed with Kindness and Tyger, both National Theatre, 1971.
  • Pygmalion, Albery Theatre, London, 1974.
  • The Force of Destiny (opera), Paris Opera, Paris, France, 1975.
  • The Merchant, Plymouth Theatre, New York City, 1977.
  • Lulu (opera), Metropolitan Opera, New York City, 1977.
  • Saratoga, Aldwych Theatre, London, 1978.
  • Il Seraglio (opera) and The Rise and Fall of the City of Mahoganny (opera), both Metropolitan Opera, 1979.
  • Early Days and Galileo, both National Theatre, 1980.
  • Oresteia, National Theatre, 1981.
  • Portage to San Cristobal of Adolf Hitler, Mermaid Theatre, London, 1982.
  • The Devil and the Good Lord, Lyric Hammersmith Theatre, London, 1984.
  • Gigi, Lyric Theatre, London, 1985.
  • The Mask of Orpheus, Coliseum Theatre, London, 1986.
  • J.J. Fahr, Phoenix Theatre, London, 1987.
  • ALL AS DESIGNER AT THE ROYAL COURT THEATRE,LONDON The Sport of My Mad Mother, The Lesson, and Endgame, all 1958.
  • Roots and Sergeant Musgrave's Dance, both 1959.
  • Chicken Soup with Barley, I'm Talking about Jerusalem, and Trials by Logue, all 1960.
  • The Changeling, The Kitchen, and Luther, all 1961.
  • A Midsummer Night's Dream, Chips with Everything, and Happy Days, all 1962.
  • Baal, Skyvers, and Exit the King, all 1963.
  • The Seagull, St. Joan of the Stockyards, Inadmissible Evidence, and Julius Caesar, all 1964.
  • A Patriot for Me, 1965.
  • The Lion and the Jewel, 1966.
  • Life Price, 1969.
  • Three Months Gone, 1970.
  • Home, Royal Court Theatre, then Morosco Theatre, New York City, 1970.
  • The Changing Room, 1971.
  • Not I, Krapp's Last Tape, Savages, and Cromwell, all 1973.
  • Life Class, 1974.
  • What the Butler Saw and Teeth 'n' Smiles, both 1975.
  • Footfalls and That Time, both 1976.
  • Happy Days, 1979.
  • PRINCIPAL FILM WORK; ALL AS PRODUCTION DESIGNER,UNLESS INDICATED Color consultant designer, Tom Jones, Lopert, 1963.
  • Isadora (also known as The Loves of Isadora), Universal, 1968.
  • Hamlet, Columbia, 1970.
  • Ned Kelly, United Artists, 1970.
  • O, Lucky Man, Warner Brothers, 1973.
  • costume designer, The Hotel New Hampshire, Orion, 1984.
  • The Whales of August, Alive, 1987.

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