Gregory Mosher Biography (1949-)

Full name, Gregory Dean Mosher; born January 15, 1949, in New York, NY; son of Thomas Edward (a physician) and Florence Christine (maiden name, Moessner)Mosher.

Nationality
American
Gender
Male
Occupation
Producer, director
Birth Details
January 15, 1949
New York, New York, United States

Famous Works

  • CREDITS
  • Stage Director
  • The Son, Stage 2, Goodman Theatre, Chicago, IL, 1974-1975
  • (And producer) American Buffalo, Stage 2, Goodman Theatre, 1975-1976
  • Statues/The Bridge at Belharbour, Stage 2, Goodman Theatre, 1975-1976
  • Streamers, Goodman Theatre, Mainstage, Chicago, IL, 1976-1977
  • Sizwe Bansi Is Dead, Stage 2, Goodman Theatre, 1976-1977
  • (And producer) A Life in the Theatre, Stage 2, Goodman Theatre, 1976-1977
  • The Seagull, Goodman Theatre, Mainstage, 1977-1978
  • Battering Ram, Stage 2, Goodman Theatre, 1977-1978
  • Native Son, Goodman Theatre, Mainstage, 1978-1979
  • Lone Canoe; or, The Explorer, Goodman Theatre, Mainstage, 1978-1979
  • Emigres, Stage 2, Goodman Theatre, 1978-1979
  • The Island, Stage 2, Goodman Theatre, 1978-1979
  • Bal, Mainstage, Goodman Theatre, 1979-1980
  • The Suicide, Mainstage, Goodman Theatre, 1980-1981
  • Plenty, Mainstage, Goodman Theatre, 1980-1981
  • Panto, Mainstage, Goodman Theatre, 1981-1982
  • Lakeboat, Mainstage, Goodman Theatre, 1981-1982
  • (And producer) Edmond, Mainstage, Goodman Theatre, 1981-1982
  • Gardenia, Mainstage, Goodman Theatre, 1982-1983
  • Disappearance of the Jews, Mainstage, Goodman Theatre, 1982-1983
  • (And producer) Glengarry Glen Ross, Mainstage, Goodman Theatre, 1983-1984, then Broadway, 1986
  • Death and the King's Horseman, Lincoln Center Theatre, New York City, 1987
  • Road, Annex, La Mama Experimental Theatre Club, New York City, 1988
  • (And producer; with Bernard Gersten) Speed-the-Plow, Royale Theatre, New York City, 1988, then Eisenhower Theatre, John F. Kennedy Center for the Performing Arts, Washington, DC, 1989-1990
  • (And producer) Our Town, Lyceum Theatre, New York City, 1988-1989
  • Oh, Hell, Mitzi E. Newhouse Theatre, New York City, 1989
  • The Tenth Man, Ethel Barrymore Theatre, New York City, 1990
  • Bobby Gould in Hell, Mitzi E. Newhouse Theatre, 1990
  • The Devil and Billy Markham, Mitzi E. Newhouse Theatre, 1990
  • Six Degrees of Separation, Vivian Beaumont Theatre, Lincoln Center, New York City, 1990-1992
  • Monster in a Box, Lincoln Center Theatre, 1991
  • Mule Bone, Ethel Barrymore Theatre, 1991
  • Mr. Gogol and Mr. Preen, Mitzi E. Newhouse Theatre, 1991
  • A Streetcar Named Desire, Ethel Barrymore Theatre, 1992
  • The Cryptogram, Ambassadors Theatre, London, 1994
  • (And producer) Freak, Cort Theatre, New York City, 1998
  • Stage Producer
  • Winnebago, Stage 2, Goodman Theatre, Chicago, IL, 1974-1975
  • Once and for All, Stage 2, Goodman Theatre, 1974-1975
  • Three Women, Stage 2, Goodman Theatre, 1974-1975
  • American Buffalo, New York City, 1975
  • Three Plays of the Yuan Dynasty, Stage 2, Goodman Theatre, 1975-1976
  • Chicago/The Local Stigmatic, Stage 2, Goodman Theatre, 1975-1976
  • Dandelion Wine, Stage 2, Goodman Theatre, 1975-1976
  • Streamers, Mainstage, Goodman Theatre, 1976-1977
  • Kaspar, Stage 2, Goodman Theatre, 1976-1977
  • George Jean Nathan in Revue, Stage 2, Goodman Theatre, 1976-1977
  • The Seagull, Mainstage, Goodman Theatre, 1977-1978
  • Hail Scrawdyke, Stage 2, Goodman Theatre, 1977-1978
  • Annulla Allen, Stage 2, Goodman Theatre, 1977-1978
  • The Prague Spring, Stage 2, Goodman Theatre, 1977-1978
  • A Christmas Carol, Mainstage, Goodman Theatre, 1978-1979
  • Two-Part Inventions, Mainstage, Goodman Theatre, 1978-1979
  • Bosoms and Neglect, Mainstage, Goodman Theatre, 1978-1979
  • Holiday, Mainstage, Goodman Theatre, 1978-1979
  • Curse of the Starving Class, Stage 2, Goodman Theatre, 1978-1979
  • Scenes and Revelations, Stage 2, Goodman Theatre, 1978-1979
  • Death and the King's Horseman, Mainstage, Goodman Theatre, 1979-1980
  • A Christmas Carol, Mainstage, Goodman Theatre, 1979-1980
  • An Enemy of the People, Mainstage, Goodman Theatre, 1979-1980
  • Talley's Folly, Mainstage, Goodman Theatre, 1979-1980
  • Cyrano de Bergerac, Mainstage, Goodman Theatre, 1979-1980
  • Betrayal, Mainstage, Goodman Theatre, 1980-1981
  • Plenty, Mainstage, Goodman Theatre, 1980-1981
  • Play Mas, Mainstage, Goodman Theatre, 1980-1981
  • Dwarfman, Mainstage, Goodman Theatre, 1980-1981
  • Master of a Million Shapes, Mainstage, Goodman Theatre, 1980-1981
  • Still Life, Stage 2, Goodman Theatre, 1980-1981
  • Endgame/Krapp's Last Tape, Stage 2, Goodman Theatre, 1980-1981
  • The Frosted Glass Coffin/A Perfect Analysis Given by a Parrot/Some Problems for the Moose Lodge, Stage 2, Goodman Theatre, 1980-1981
  • Kukla and Ollie Live, Stage 2, Goodman Theatre, 1980-1981
  • A House Not Meant to Stand, Stage 2, Goodman Theatre, 1980-1981
  • The Front Page, Mainstage, Goodman Theatre, 1981-1982
  • A House Not Meant to Stand, Mainstage, Goodman Theatre, 1981-1982
  • Sganarella, Mainstage, Goodman Theatre, 1981-1982
  • Edmond, New York City, 1982
  • The Man Who Had Three Arms, Mainstage, Goodman Theatre, 1982-1983
  • The Comedy of Errors, Mainstage, Goodman Theatre, 1982-1983
  • The Dining Room, Mainstage, Goodman Theatre, 1982-1983
  • Red River, Mainstage, Goodman Theatre, 1982-1983
  • A Soldier's Play, Mainstage, Goodman Theatre, 1982-1983
  • Kukla and Ollie Live/The Theatre of Burr Tillstrom, Stage 2, Goodman Theatre, 1982-1983
  • The Beckett Project: Ohio Impromptu, Stage 2, Goodman Theatre, 1982-1983
  • Eh, Joe, Stage 2, Goodman Theatre, 1982-1983
  • A Piece of Monologue, Stage 2, Goodman Theatre, 1982-1983
  • A Spalding Grey Retrospective, Stage 2, Goodman Theatre, 1982-1983
  • Jungle Coup, Stage 2, Goodman Theatre, 1982-1983
  • Gorilla, Stage 2, Goodman Theatre, 1982-1983
  • Hotline, Stage 2, Goodman Theatre, 1982-1983
  • A Raisin in the Sun, Mainstage, Goodman Theatre, 1983-1984
  • Candida, Mainstage, Goodman Theatre, 1983-1984
  • The Road, Mainstage, Goodman Theatre, 1983-1984
  • The Time of Your Life, Mainstage, Goodman Theatre, 1983-1984
  • The Three Musketeers, Mainstage, Goodman Theatre, 1983-1984
  • Diagonal Man/Theory and Practice, Bread and Puppet Theatre, Stage2, Goodman Theatre, 1983-1984
  • (With Bernard Gersten) The House of Blue Leaves, Lincoln Center Theatre, New York City, 1986
  • (With Gersten) The Front Page, Lincoln Center Theatre, 1987
  • (Associate producer) Into the Woods, Martin Beck Theatre, New YorkCity, 1987-1989
  • Danger: Memory, first produced in 1987, on Broadway, 1988, then London, 1989
  • (With Gersten) Anything Goes, Lincoln Center Theatre, 1988
  • (With Gersten and Lucille Lortel) Sarafina!, Lincoln Center Theatre, 1988
  • (With Gersten) Six Degrees of Separation, Vivian Beaumont Theatre,Lincoln Center, New York City, 1990-1992
  • (With Gersten) Two Shakespearean Actors, Lincoln Center Theatre, 1992
  • American Buffalo, Circle in the Square Theatre, New York City, 1996
  • (With Arielle Tepper and Bill Haber) James Joyce's The Dead (musical), Playwrights Horizons, Belasco Theatre, New York City, 2000
  • Television Director
  • Movies
  • The Comedy of Errors, 1985
  • A Life in the Theatre, TNT, 1993
  • Television Work
  • Specials
  • Executive producer, "The House of Blue Leaves," American Playhouse, PBS, 1987
  • Stage director, "Our Town," Great Performances, PBS, 1989
  • Director, "Uncle Vanya," Great Performances, PBS, 1991
  • Producer (with Arielle Tepper and Bill Haber), John Leguizamo: Freak, HBO, 1998
  • Stage director, Speak Truth to Power, PBS, 2000
  • Film Work
  • Executive producer, Voices of Sarafina!, New Yorker Films, 1988
  • Producer, American Buffalo, Samuel Goldwyn Company, 1996
  • Executive producer and director, Laughter in the Dark, 2000
  • Director, The Prime Gig, Fine Line, 2000
  • WRITINGS
  • Screenplays
  • Laughter in the Dark, 2000

Further Reference

OTHER SOURCES

    Periodicals
    • Back Stage, September 13, 1996, pp. 1-2; February 28, 1997, p. 60
    • New Republic, September 16, 1996, pp. 28-30
    • Variety, June 23, 1997, pp. 99-101; October 26, 1998, p. 131