Scott Ellis Biography (1957-)

Born April 19, 1957, in Washington, DC. Addresses: Office: NederlanderProducing Company of America, 1450 Broadway, Floor 6, New York, NY 10018-2201.

Nationality
American
Gender
Male
Occupation
Director, actor
Birth Details
April 19, 1957
Washington, D.C, United States

Famous Works

  • CREDITS
  • Stage Work
  • Director
  • Flora, The Red Menace, Vineyard Theatre, 1987-1988
  • A Little Night Music, New York State Theatre, New York City, 1990-1991
  • A Christmas Carol, McCarter Theatre, Princeton, NJ, 1991 and 1992
  • (Creator) And the World Goes 'Round: The Music of Kander & Ebb, Westside Theatre, 1991-1992 later Studio Arena Theatre, 1993
  • 110 in the Shade, Lincoln Center, New York State Theatre, New YorkCity, 1992
  • Sondheim: A Celebration at Carnegie Hall, Carnegie Hall, New YorkCity, 1992
  • She Loves Me, Roundabout Theatre, New York City, 1993, then BrooksAtkinson Theatre, New York City, 1994, and London
  • Picnic, Criterion Center Stage Right, New York City, 1994
  • Company, Criterion Center Stage Right, 1995
  • A Month in the Country, Criterion Center Stage Right, 1995
  • Dark Rapture, Second Stage Theatre, New York City, 1996
  • A Thousand Clowns, Criterion Center Stage Right, 1996
  • Steel Pier, Richard Rodgers Theatre, New York City, 1997
  • 1776, Criterion Center Stage Right, 1997-1998
  • Glimmer Brothers, Nikos Stage, Williamstown, MA, 1999
  • The Rainmaker, Brooks Atkinson Theatre, New York City, 1999
  • That Championship Season, Second Stage Theatre, 1999
  • The Waverly Gallery, Nikos Stage, 1999
  • The Dog Problem, Long Wharf Theatre Stage II, New Haven, CT, 2000
  • The Adventures of Tom Sawyer, Shubert Theatre, New Haven, CT, thenMinskoff Theatre, New York City, 2001
  • The Dresser (reading), c. 2001
  • The Man Who Had All the Luck, Adams Memorial Theatre, Williamstown, MA, 2001
  • The Boys from Syracuse, American Airlines Theatre, New York City,2002
  • The Man Who Had All the Luck, American Airlines Theatre, 2002
  • Also directed a production of Tartuffe.
  • Associate Artistic Director
  • Impossible Marriage, Roundabout Theatre Company, Laura Pels Theatre, New York City, 1998-1999
  • Ashes to Ashes, Roundabout Theatre Company, Gramercy Theatre, NewYork City, 1999
  • The Mineola Twins, Roundabout Theatre Company, Laura Pels Theatre,1999
  • Give Me Your Answer, Do!, Roundabout Theatre Company, Gramercy Theatre, 1999-2000
  • Arms and the Man, Roundabout Theatre Company, Gramercy Theatre, 2000
  • Juno and the Paycock, Roundabout Theatre Company, Gramercy Theatre, 2000
  • Blue, Roundabout Theatre Company, Gramercy Theatre, 2001
  • Speaking in Tongues, Roundabout Theatre Company, Gramercy Theatre,2001-2002
  • All Over, Roundabout Theatre Company, Gramercy Theatre, 2002
  • Stage Appearances
  • Sally's boyfriend, Musical Chairs, Rialto Theatre, 1980
  • Gussie and Tribune reporter, Hijinks!, Cheryl Crawford Theatre, 1980-1981
  • 110 in the Shade, York Theatre Company, 1982
  • Puck, A Midsummer Night's Dream, York Theatre Company, 1983
  • Lucky, Tom, Sugar, Punk, Arnie, suitor, Bobby Perillo, and Danny, TheRink, Martin Beck Theatre, New York City, 1984
  • Ariel, The Tempest, Alliance Theatre Company, 1985
  • Billy Bishop Goes to War, Pennsylvania Stage Company, Allentown, PA, 1985
  • Frank Wyman, Mack and Mabel, Paper Mill Playhouse, Millburn, NJ, 1987-1988
  • Also appeared in a Broadway production of Grease and in Mrs. Dally Has a Lover.
  • Major Tours
  • Billy Bishop Goes to War, U.S. cities, 1985-1986
  • Television Appearances
  • Specials
  • Broadway '97: Launching the Tonys, PBS, 1997
  • Television Work
  • Director; Episodic
  • "Kissing Cousin," Frasier, NBC, 2002
  • Specials
  • (Stage director) Live from Lincoln Center: A Little Night Music, PBS, 1990
  • (Concert director) Sondheim: A Celebration at Carnegie Hall, PBS,1992
  • (Stage director) My Favorite Broadway: The Leading Ladies (concert), PBS, 1999

Further Reference

OTHER SOURCES

    Periodicals
    • Back Stage, June 18, 1993, p. 19
    • Dance Magazine, May, 1994, pp. 68-69

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