David Seltzer Biography (1940-)

Born 1940 in Highland Park, IL; married Eugenia Zuckerman (a flutist), 1987;children: four (two adopted), including Emily (an actress). Addresses:Agent: United Talent Agency, 9560 Wilshire Blvd., Suite 500, Beverly Hills,CA 90212.

Nationality
American
Gender
Male
Occupation
Screenwriter, director, producer, novelist
Birth Details
1940
Highland Park, Illinois, United States

Famous Works

  • CREDITS
  • Film Director
  • Lucas, Twentieth Century-Fox, 1986
  • Punchline, Columbia, 1988
  • Shining Through, 1992
  • Nobody's Baby, 2001
  • Film Executive Producer
  • The Eighteenth Angel, 1997
  • Shining Through, 1992
  • Television Producer and Director
  • Series
  • National Geographic Specials, 1964
  • Television Producer
  • Specials
  • Adventures at the Jade Sea (documentary), CBS, c. 1970
  • The Journey of Robert F. Kennedy (documentary), ABC, c. 1970
  • Movies
  • Green Eyes, ABC, 1977
  • (As David Lane Seltzer) Executive producer, Inherit the Wind, Showtime, 1999
  • Television Executive Producer
  • Pilots
  • Written in Stone, ABC, 2003
  • Television Appearances
  • Specials
  • (Uncredited) Himself, The Omen Legacy (documentary), AMC, 2001
  • Corey Haim: The E! True Hollywood Story, E! Entertainment Television, 2001
  • Stage Producer
  • F. Jasmine Addams (musical; based on Carson McCullers's story "TheMember of the Wedding"), Circle in the Square, New York City, 1971
  • (With David Black) Lysistrata, Brooks Atkinson Theatre, New York City, 1972
  • WRITINGS
  • Screenplays
  • The Hellstrom Chronicle (documentary), Cinema 5, 1971
  • (Uncredited) Willy Wonka & the Chocolate Factory, 1971
  • (With David Shaw), King, Queen, Knave (also known as Herzbube and Koenig, Dame, Bube; based on Vladimir Nabokov's novel of the same title), Avco Embassy, 1972
  • One Is a Lonely Number (also known as Two Is a Happy Number; based on Rebecca Morris's short story "The Good Humor Man"), Metro-Goldwyn-Mayer, 1972
  • The Other Side of the Mountain (also known as A Window to the Sky), Universal, 1975
  • The Omen (also known as Birthmark, Omen I, Omen I: The Antichrist, and Omen I: The Birthmark), Twentieth Century-Fox, 1976
  • Prophecy (also known as Prophecy: The Monster Movie), Paramount, 1979
  • (Uncredited) The Final Conflict (also known as Omen III: The Final Conflict), 1981
  • Six Weeks (based on Fred Mustard Stewart's novel of the same title), Universal, 1982
  • Table for Five, Warner Bros., 1983
  • Lucas, Twentieth Century-Fox, 1986
  • (Uncredited) Someone to Watch over Me, 1987
  • Punchline, Columbia, 1988
  • (With Louis Venosta and Eric Lerner) Bird on a Wire, Universal, 1990
  • Shining Through, Twentieth Century-Fox, 1992
  • The Eighteenth Angel, Rysher Entertainment, 1997
  • My Giant, 1998
  • Nobody's Baby, 2001
  • Dragonfly, Buena Vista, 2002
  • Blackout, Paramount, 2002
  • Television Specials
  • Adventures at the Jade Sea (documentary), CBS, c. 1970
  • Television Movies
  • Sophia: A Self-Portrait, 1968
  • Larry (adapted from Robert McQueen's book Larry: Case History of a Mistake), CBS, 1974
  • (With David Sontag) My Father's House, ABC, 1975
  • Green Eyes, ABC, 1977
  • (With Thom Thomas) Private Sessions, NBC, 1985
  • Television Pilots
  • Written in Stone, ABC, 2003
  • Television Series
  • Incredible World of Animals, c. 1966
  • Novels
  • The Omen (novelization of his screenplay of the same title), New American Library, 1976
  • Prophecy (novelization of his screenplay of the same title), Ballantine, 1979
  • Contributor to periodicals, including Premiere.

Further Reference

OTHER SOURCES

    Periodicals
    • Chicago Tribune, February 23, 1983; April 2, 1986; September 30, 1988; May 18, 1990
    • Los Angeles Times, February 17, 1983; May 1, 1986; September 30, 1988; May 18, 1990
    • New York Times, June 20, 1972; June 25, 1976; June 15, 1979; July24, 1979; February 18, 1983; March 28, 1986; September 24, 1989; May 18, 1990
    • New York Times Book Review, September 11, 1977
    • Washington Post, March 12, 1983; October 7, 1988
    • Washington Post Book World, August 22, 1976