1. Theatre, Film, and Television Biographies
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Robert Falls Biography (1954-)

Full name, Robert Arthur Falls; born March 2, 1954, in Springfield, IL; son of Arthur Joseph and Nancy (maiden name, Stribling) Falls. Addresses: Agent: William Morris Agency, 151 El Camino Dr., Beverly Hills, CA 90212-2775.

Nationality

American

Gender

Male

Occupation

Director

Birth Details

March 2, 1954

Springfield, Illinois, United States

Famous Works

• CREDITS
• Stage Director
• Pal Joey, Chicago production, 1988
• Pravda, Guthrie Theatre, Minneapolis, MN, 1989
• The Misanthrope, Goodman Theatre, Chicago, IL, 1989-1990
• The Speed of Darkness, Goodman Theatre, 1989 then Belasco Theatre,New York City, 1991
• The Iceman Cometh, Goodman Theatre, 1990-1991
• Book of the Night, Goodman Theatre, 1991-1992
• Riverview, Goodman Theatre, 1992
• On the Open Road, Goodman Theatre, 1992 then Public Theatre/Martinson Hall, New York City, 1993
• Suburbia, Mitzi E. Newhouse Theatre, New York City, 1994
• Floyd: Susannah, Chicago production, 1994
• The Three Sisters, Goodman Theatre, 1995
• The Rose Tattoo, Circle in the Square, New York City, 1995
• The Food Chain, Westside Theatre, New York City, 1995
• The Night of the Iguana, Criterion Theatre, New York City, 1996
• The Young Man from Atlanta, Longacre Theatre, New York City, 1997
• The Consul, Lyric Opera, Chicago, 1997
• Susannah, Metropolitan Opera, New York City, 1999
• Death of a Salesman, Eugene O'Neill Theatre, New York City, 1999
• Aida, Goodman Theatre, 1999-2000 then Palace Theatre, New York City, 2000-?
• House/Garden, Chicago production, 2001
• Also directed Griller, The Tempest, Galileo, and Landscape of the Body; Getting Out, In the Belly of the Beast:Letters from Prison, Of Mice and Men, Mother Courage and Her Children, and Hamlet, all Wisdom Bridge Theatre, Chicago; Standing on My Knees, Manhattan Theatre Club; and The Food Chain, Westside.
• Stage Artistic Director
• A Moon for the Misbegotten, Walter Kerr Theatre, New York City, 2000

Further Reference

OTHER SOURCES

Periodicals

• American Theatre, July/August, 1999, p. 16