Robert Falls Biography (1954-)

Full name, Robert Arthur Falls; born March 2, 1954, in Springfield, IL; son of Arthur Joseph and Nancy (maiden name, Stribling) Falls. Addresses: Agent: William Morris Agency, 151 El Camino Dr., Beverly Hills, CA 90212-2775.

Nationality
American
Gender
Male
Occupation
Director
Birth Details
March 2, 1954
Springfield, Illinois, United States

Famous Works

  • CREDITS
  • Stage Director
  • Pal Joey, Chicago production, 1988
  • Pravda, Guthrie Theatre, Minneapolis, MN, 1989
  • The Misanthrope, Goodman Theatre, Chicago, IL, 1989-1990
  • The Speed of Darkness, Goodman Theatre, 1989 then Belasco Theatre,New York City, 1991
  • The Iceman Cometh, Goodman Theatre, 1990-1991
  • Book of the Night, Goodman Theatre, 1991-1992
  • Riverview, Goodman Theatre, 1992
  • On the Open Road, Goodman Theatre, 1992 then Public Theatre/Martinson Hall, New York City, 1993
  • Suburbia, Mitzi E. Newhouse Theatre, New York City, 1994
  • Floyd: Susannah, Chicago production, 1994
  • The Three Sisters, Goodman Theatre, 1995
  • The Rose Tattoo, Circle in the Square, New York City, 1995
  • The Food Chain, Westside Theatre, New York City, 1995
  • The Night of the Iguana, Criterion Theatre, New York City, 1996
  • The Young Man from Atlanta, Longacre Theatre, New York City, 1997
  • The Consul, Lyric Opera, Chicago, 1997
  • Susannah, Metropolitan Opera, New York City, 1999
  • Death of a Salesman, Eugene O'Neill Theatre, New York City, 1999
  • Aida, Goodman Theatre, 1999-2000 then Palace Theatre, New York City, 2000-?
  • House/Garden, Chicago production, 2001
  • Also directed Griller, The Tempest, Galileo, and Landscape of the Body; Getting Out, In the Belly of the Beast:Letters from Prison, Of Mice and Men, Mother Courage and Her Children, and Hamlet, all Wisdom Bridge Theatre, Chicago; Standing on My Knees, Manhattan Theatre Club; and The Food Chain, Westside.
  • Stage Artistic Director
  • A Moon for the Misbegotten, Walter Kerr Theatre, New York City, 2000

Further Reference

OTHER SOURCES

    Periodicals
    • American Theatre, July/August, 1999, p. 16

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