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Neil Peter Jampolis Biography (1943-)

Born March 14, 1943, in New York, NY; son of Samuel and Beatrice (Swenken) Jampolis; married Jane Reisman (a lighting designer), July 24, 1971. Addresses: HOME--130 W. 57th Street, New York, NY 10019l.OFFICE--142 W. 44th Street, New York, NY 10036.

Nationality

American

Gender

Male

Birth Details

March 14, 1943

New York, New York, United States

Famous Works

• Credits
• FIRST NEW YORK STAGE WORK--Set supervisor and lighting designer, BorstalBoy, Lyceum Theatre, 1969.
• Credits; PRINCIPAL STAGE WORK
• Set designer, The Barretts of Wimpole Street, Goodman Memorial Theatre, Chicago, IL, 1965.
• set and lighting designer, Uncle Vanya, Theatre of the Living Arts, Philadelphia, PA, 1965.
• set designer, Poor Bitos, Hartford Stage Company, Hartford, CT, 1966.
• set and lighting designer, Endgame, Act Without Words, The Three Sisters,all Hartford Stage Company, 1966.
• set designer, Under the Gaslight, Hartford Stage Company, 1967.
• set designer, The Balcony, Center Stage, Baltimore, MD, 1967.
• lighting designer, King Lear, Morris Theatre, Morristown, NJ, 1967.
• lighting designer, Not a Way of Life, Sheridan Square Playhouse, New YorkCity, 1967.
• lighting designer, Tea Party, The Basement, both Eastside Playhouse, NewYork City, 1968.
• The People vs. Ranchman, Fortune Theatre, New York City, 1968.
• Little Murders, Circle in the Square, New York City, 1969.
• set designer, War Games, Fortune Theatre, 1969.
• set and lighting designer, In the Bar of a Tokyo Hotel, Eastside Playhouse, 1969.
• lighting designer, Arf, The Great Airplane Snatch, both Stage 73, New York City, 1969.
• lighting designer, Rondelay, Hudson West Theatre, New York City, 1969.
• Credits; ALL IN NEW YORK CITY UNLESS INDICATED
• Lighting designer, Show Me Where the Good Times Are, Edison Theatre, 1970.
• lighting designer, Les Blancs, Longacre Theatre, 1970.
• set, lighting, and costume designer, Acrobats, Line, both Theatre de Lys,1971.
• set, lighting, and costume designer, One Flew over the Cuckoo's Nest, Mercer-Hansberry Theatre, 1971.
• set and lighting designer, To Live Another Summer, To Pass Another Winter, Helen Hayes Theatre, 1971.
• lighting designer, Wild and Wonderful, Lyceum Theatre, 1971.
• Wise Child, Helen Hayes Theatre, 1972.
• English set supervisor, Don't Bother Me, I Can't Cope, Playhouse Theatre,1972.
• lighting and costume designer, Butley, Morosco Theatre, 1972.
• lighting designer, Let Me Hear You Smile, Biltmore Theatre, 1973.
• lighting supervisor, Warp I: My Battlefield, My Body, Ambassador Theatre,1973.
• lighting designer, set design supervisor, The Emperor Enrico IV, Ethel Barrymore Theatre, 1973.
• lighting designer, Crown Matrimonial, Helen Hayes Theatre, 1973.
• set supervisor, The Wager, Eastside Playhouse, 1974.
• set designer, Anthony Newley/Henry Mancini, Uris Theatre, 1974.
• set and lighting designer, One Flew over the Cuckoo's Nest, Huntington Hartford Theatre, Los Angeles, CA, 1974, then Arlington Park Theatre, IL, both1974.
• lighting designer, Sherlock Holmes, Broadhurst Theatre, 1974.
• set designer, Johnny Mathis and the Miracles, Uris Theatre, 1974.
• set designer, Raphael in Concert with the Voices of New York, Imperial Theatre, 1974.
• set supervisor, Brief Lives, Booth Theatre, 1974.
• All in New York City unless indicated: Set consultant, A Gala Tribute toJoshua Logan, Imperial Theatre, 1975.
• lighting designer, The Innocents, Morosco Theatre, 1976.
• set supervisor and lighting designer, Otherwise Engaged, Plymouth Theatre, 1977.
• set designer, Comedy with Music, Imperial Theatre, 1977.
• set designer, The Brownsville Raid, Theatre de Lys, 1977.
• lighting designer, G.R. Point, Center Stage, Baltimore, MD, 1978, then Playhouse Theatre, 1979.
• lighting designer, Knockout, Helen Hayes Theatre, 1979.
• lighting designer, Night and Day, American National Theatre Academy Playhouse, 1979.
• lighting designer, Night and Day, Eisenhower Theatre, Washington, DC, 1979.
• lighting designer, The American Clock, Biltmore Theatre, 1980.
• lighting designer, Harold and Maude, Martin Beck Theatre, 1980.
• set and lighting designer, Fishing, Second Stage Theatre, 1981.
• set and costume designer, The Life and Adventures of Nicholas Nickleby, Plymouth Theatre, 1981.
• lighting designer, El Bravo!, Entermedia Theatre, 1981.
• set designer, Vanities, Virginia Stage Company, Norfolk, VA, 1983.
• set designer, Great Days, American Place Theatre, 1983.
• set designer, Breakfast Conversations in Miami, What's a Nice Country Like You Still Doing in a State Like This?, both American Place Theatre, 1984.
• lighting designer, Julius Caesar, Playhouse in the Park, Cincinnati, OH,1984.
• set designer, Rap Master Ronnie, Village Gate Theatre, 1984.
• lighting designer, Kipling, Royale Theatre, 1984.
• lighting designer, A Midsummer Night's Dream (opera), Banff Festival, Banff, AB, Canada, 1984.
• lighting designer, Translations, Alaska Repertory Company, Anchorage, AL,1985.
• lighting designer, Down River, Musical Theatre Works, 1985.
• lighting designer, The Search for Signs of Intelligent Life in the Universe, New York City, 1985.
• Also set, costume, and lighting designer, Pieces of Eight, Citadel Theatre; set and costume designer, Journey to Rheims (opera), Opera Theatre of St.Louis, St. Louis, MO; set, costume, and lighting designer, Aida (opera), Tulsa Opera, Tulsa, OK; set, costume, and lighting designer, Eugene Onegin (opera), 1986; Also Resurrection, Bolivar; and more than eighty operas for HoustonGrand Opera, Santa Fe Opera, St. Paul Opera, New York City Opera, NetherlandsOpera, La Scala, Deutsche Oper, Berlin, Salzburg Festival, Vienna State Opera and OMAC, Caracas.
• Credits; MAJOR TOURS
• Lighting designer, Butley, U.S. cities, 1972.